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劇情提要
美國最新校園性喜劇電影,當兩個新生承諾被接受進入校園(ALPHA公司)最大的黨兄弟會,他們認為他們擁有這一切。也就是說,直到院長助理迫使阿爾法與一個女學生聯(lián)誼會,否則將面臨被學校開除分享他們的房子。不想看成為阿爾法被毀,承諾說服家里的其他成員收回什么是他們的,發(fā)動兩性史詩般的戰(zhàn)斗,以感謝他們?yōu)辄h權的戰(zhàn)斗一生的夢想。
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
首都消失
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