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同款熱播
限時營救2025
凱特·貝金賽爾,劉易斯·陳,艾麗絲·克里奇,湯姆·班尼特,貝利·帕特里克,拉斯穆斯·哈迪克,馬特·威利斯,Roxy StriarFollows an ex-black ops team that reunites to pull off a desperate heist and save the life of an eight-year-old girl.
KING OF PRISM -Your Endless Call- 大～家一起閃耀！PRISM☆TOURS
寺島惇太,齊藤壯馬,畠中祐,八代拓,五十嵐雅,永冢拓馬,內(nèi)田雄馬,蒼井翔太,武內(nèi)駿輔,杉田智和,柿原徹也,前野智昭,增田俊樹,三木真一郎,關(guān)俊彥,森久保祥太郎,浪川大輔,中山咲月,山下誠一郎,小林龍之,土田玲央,河合健太郎,鵜澤正太郎,橘龍丸,浦田涉,天月,梶原岳人,田丸篤志,近藤隆,大橋賢一郎,岡本信彥《棱鏡少男 KING OF PRISM》系列新電影
感恩節(jié)
帕特里克·德姆西,泰·奧爾森,吉娜·格申,加布里埃爾·達文波特,凱倫·克里奇,內(nèi)爾·維拉克,里克·霍夫曼,德里克·麥克加特,凱瑟琳·特羅維爾,杰倫·托馬斯·布魯克斯,米卡·阿蒙森,阿曼達·巴克,沙琳·格里芬,提姆·狄龍,克里斯·桑迪福德,艾蒂森·蕾,托馬索·薩內(nèi)里,珍娜·沃倫,林恩·格里芬一個連環(huán)殺人犯前往馬薩諸塞州小鎮(zhèn)，想把鎮(zhèn)上居民打造成感恩節(jié)活人雕刻版。
逆轉(zhuǎn)上半場
梁詠琪,陳湛文,凌文龍,梁雍婷,朱栢康,陳輝虹人生勝利組希文靠自己努力，打敗99.9%香港人，卻因誤信朋友面臨破產(chǎn)邊緣。由深水灣搬到深水埗，勢要在短時間內(nèi)極速債務(wù)重組，一日未認輸一日都未輸！得知天真富二代正籌組足球聯(lián)賽，剛好同房表妹閑時會在街場與幾個小嘍啰踢波追夢，有乜比基層追夢更追夢。當(dāng)然一波會有三折，到底希文與五個小孩又會如何踢出精彩的一局呢？典型格局非典型救贖，久違的溫情港產(chǎn)喜劇，笑聲笑聲滿載溫馨，注入我體內(nèi)，大小演員個個賣力演出，演活擅打逆境波的港人故事。
納什維爾謀殺案
Sarah Zanotti,Nick Puya,科賓·蒂布魯克,Kate Dailey,Alex Bowling,Ellen B. Williams,Christopher St. Mary,Trisha Owen,Diane D Carter,Allen C. Shepherd Sr.聚焦追夢女孩伊登的納什維爾驚魂：懷揣音樂夢的她移居鄉(xiāng)村音樂之都，與音樂大亨之子杰克斯墜入愛河，卻在甜蜜中發(fā)現(xiàn)多起與杰克斯相關(guān)的女性連環(huán)命案。隨著調(diào)查深入，家族的黑暗秘密層層揭開，伊登驚覺自己早已身陷致命陷阱。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster