獄中艾曼紐
Emanuelle暫無內(nèi)容goes暫無內(nèi)容undercover暫無內(nèi)容into暫無內(nèi)容a暫無內(nèi)容prison暫無內(nèi)容to暫無內(nèi)容expose暫無內(nèi)容the暫無內(nèi)容corrupted暫無內(nèi)容officials暫無內(nèi)容who暫無內(nèi)容are暫無內(nèi)容brutalizing暫無內(nèi)容the暫無內(nèi)容inmates.暫無內(nèi)容Emanuelle暫無內(nèi)容is暫無內(nèi)容shocked暫無內(nèi)容by暫無內(nèi)容the暫無內(nèi)容horrors暫無內(nèi)容and暫無內(nèi)容humiliation暫無內(nèi)容the暫無內(nèi)容prisoners暫無內(nèi)容are暫無內(nèi)容subjected暫無內(nèi)容to,暫無內(nèi)容but暫無內(nèi)容when暫無內(nèi)容her暫無內(nèi)容true暫無內(nèi)容identity暫無內(nèi)容is暫無內(nèi)容discovered,暫無內(nèi)容she暫無內(nèi)容finds暫無內(nèi)容herself暫無內(nèi)容at暫無內(nèi)容the暫無內(nèi)容receiving暫無內(nèi)容end.
在線觀看
劇情提要
Emanuelle暫無內(nèi)容goes暫無內(nèi)容undercover暫無內(nèi)容into暫無內(nèi)容a暫無內(nèi)容prison暫無內(nèi)容to暫無內(nèi)容expose暫無內(nèi)容the暫無內(nèi)容corrupted暫無內(nèi)容officials暫無內(nèi)容who暫無內(nèi)容are暫無內(nèi)容brutalizing暫無內(nèi)容the暫無內(nèi)容inmates.暫無內(nèi)容Emanuelle暫無內(nèi)容is暫無內(nèi)容shocked暫無內(nèi)容by暫無內(nèi)容the暫無內(nèi)容horrors暫無內(nèi)容and暫無內(nèi)容humiliation暫無內(nèi)容the暫無內(nèi)容prisoners暫無內(nèi)容are暫無內(nèi)容subjected暫無內(nèi)容to,暫無內(nèi)容but暫無內(nèi)容when暫無內(nèi)容her暫無內(nèi)容true暫無內(nèi)容identity暫無內(nèi)容is暫無內(nèi)容discovered,暫無內(nèi)容she暫無內(nèi)容finds暫無內(nèi)容herself暫無內(nèi)容at暫無內(nèi)容the暫無內(nèi)容receiving暫無內(nèi)容end.
暗夜精選
午夜的太陽(yáng)
鄭知曉,車學(xué)沇我家的事
藍(lán)葦華,高伊玲,曾敬驊,黃珮琪,朱羿銘,姚淳耀,嚴(yán)藝文,鄭有杰孤獨(dú)犯罪狂
布倫娜·斯卡爾斯基,伊恩·賴爾·邁克爾斯,大衛(wèi)·赫特鬼馬智多星
林子祥,麥嘉,泰迪·羅賓,姚煒,曹達(dá)華,岑建勛,曾志偉“騎”逢對(duì)手
那馨,李夢(mèng)男,任悅鳴,龐統(tǒng),閆震寧,陳家葆臨時(shí)家族
張雙利,盛朗熙,李洛伊有罪，AI如此宣判
芳根京子,臼田麻美,橋本淳, 井內(nèi)悠陽(yáng),小川冬晴,濱田信也,藤井直樹,荒井敦史,坂口涼太郎,兒島雄一,巖谷健司,岸本鲇佳,淺野和之,風(fēng)吹淳,國(guó)村隼同系列推薦
地球浩劫
肖恩·康納利,娜塔莉·伍德,卡爾·莫爾登狂野時(shí)代
易烊千璽,舒淇,趙又廷,李庚希,黃覺,陳永忠,郭沐橙,張志堅(jiān),曾美慧孜,閆楠罪惡新月城
亞歷克·鮑德溫,泰倫斯·霍華德,埃塞·莫拉雷斯,妮基·韋蘭,邁克爾·希羅,溫斯頓·凱奇,安居爾·尼加姆,Maria Camila Giraldo,瑞瑪·桑帕特,Danielle Druz差不多的朋友
弗萊迪·海默,奧德婭·拉什,克里斯托弗·米洛尼,海利·喬·奧斯蒙,杰克·阿貝爾,麗塔·沃爾克,瑪格·海根柏格,泰勒·約翰·史密斯凱多湖的消失
迪倫·奧布萊恩,伊萊扎·斯坎倫,黛安娜·霍佩爾,卡羅琳·?？?山姆·亨寧斯,埃里克·蘭格,勞倫·艾波羅絲,Nina Leon,蘭斯·E·尼克爾斯,大衛(wèi)·馬爾登那多,基姆·巴蒂斯特,Jody Sellers,Greysen Conley,Jules Hilillo Fernandez,Jennifer Sellers,Larry S. White II,A.C. Cooper,Zedrick Tinsley,Elizabeth Feliciano超暴力機(jī)斗
Ben Naasz,Teddy Ca?ez,Jennifer Sydney幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
德古拉2025
一位扮演德古拉的演員在餐廳表演中臨陣脫逃，引發(fā)了一場(chǎng)混亂的追逐戰(zhàn)——游客與店主們集體圍剿這名"吸血鬼"。與此同時(shí)，AI軟件生成著德古拉故事的萬花筒：從社會(huì)評(píng)論到未來主義改編，編織出重新定義這一傳奇角色的敘事圖譜。