過細

? 8.1 播放：54萬 2026-05-06
主演：陳金奎 吳培蓉 

不知道從什么時候開始，讀書，上名校，去大城市，找一份高薪工作，成了無可厚非的選擇，好像，讀書，就是為了賺錢，理想就是得到高薪，金錢成了衡量一個人是否有理想，是否成功的標準。 故事是一個非常普通的大學(xué)畢業(yè)生，從對自己工作和生活的不滿意，與父母的別扭開始，通過對一個因為金錢導(dǎo)致家庭破裂而抑郁和消沉的男人的誤會，慢慢理解了金錢和人生，事業(yè)和生活之間的關(guān)系，并且，克服來自世俗的偏見，最終幫助了那個男人重新開始生活，也成就了自己的人生的故事。 通過本故事希望引起人們對自己事業(yè)選擇、人生抉擇的一些思考，并且，通過對一些先進人物和道德模范的事跡，以及主人公自己的思想轉(zhuǎn)變來讓人們思考，到底什么才是我們的理想？

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? 播放 過細

劇情提要

不知道從什么時候開始，讀書，上名校，去大城市，找一份高薪工作，成了無可厚非的選擇，好像，讀書，就是為了賺錢，理想就是得到高薪，金錢成了衡量一個人是否有理想，是否成功的標準。 故事是一個非常普通的大學(xué)畢業(yè)生，從對自己工作和生活的不滿意，與父母的別扭開始，通過對一個因為金錢導(dǎo)致家庭破裂而抑郁和消沉的男人的誤會，慢慢理解了金錢和人生，事業(yè)和生活之間的關(guān)系，并且，克服來自世俗的偏見，最終幫助了那個男人重新開始生活，也成就了自己的人生的故事。 通過本故事希望引起人們對自己事業(yè)選擇、人生抉擇的一些思考，并且，通過對一些先進人物和道德模范的事跡，以及主人公自己的思想轉(zhuǎn)變來讓人們思考，到底什么才是我們的理想？

幕后花絮

極限人生2026

　　影片講述中年男子馬然為湊百萬彩禮錢加入地產(chǎn)中介項目，卻卷入詐騙案背負罪名，最終通過精心策劃洗脫嫌疑并將詐騙團伙繩之以法，同時收獲真愛的故事。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.