劇情簡介
奈美是東京一家電視臺(tái)的新聞播報(bào)員，她清純靚麗，但有一次在女廁中遇見其上司跟她的同事鬼混后，這幅場景就在她的腦中揮之不去，時(shí)時(shí)出現(xiàn)。其實(shí)她的上司早已對她垂涎三尺，有一日他終于按捺不住對奈美有所企圖，并聯(lián)同曾經(jīng)跟他鬼混的女同事一起 。自始，巖井就愛上了這玩意，更勾引好友丈夫．．．
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正義的子彈
丹尼·特雷霍,Timur Turisbekov,Doroteya Toleva,雅娜·梅里諾娃,Semir Alkadi,Neli Andonova,Dinko Angelov,Gergana Arolska,Ester Chardaklieva,Svetlio Chernev,Dara Kandi,Dumisani Karamanski,Vei Fan Li,Alexander Ralfietta,Dessy Slavova在第三次世界大戰(zhàn)期間，美國政府發(fā)起了一個(gè)秘密的項(xiàng)目代號(hào)為“陸軍培根”，以創(chuàng)造超級(jí)士兵近交人與豬。25年后，一種叫做“槍口”已經(jīng)占據(jù)食物鏈的頂端，吃和人類飼養(yǎng)動(dòng)物一樣。羅布正義是一個(gè)前賞金獵人工作的最后一行人類抵抗-一組幸存者躲藏在核掩體深處地下。他的任務(wù)是找出槍口上臺(tái)并消滅他們。
河鰻
潘綱大,柯泯薰,潘親御,鄭如吟,陳季霞,吳美和父親一去不返，原本在城市上班的阿亮，回到被遺忘的沙洲，寄居河邊破房子，在垃圾場打工。島民為土地公抬轎，被丟棄的神明都擠在寺廟中。阿亮發(fā)現(xiàn)神秘紅裙女子漂浮于河上，她似乎有著不堪回首的過去，或許她根本就是河鰻化身？視覺藝術(shù)家朱駿騰首部長片，取景于臺(tái)北市內(nèi)遭限制開發(fā)逾半世紀(jì)的社子島，建構(gòu)如夢似幻的幽靈地帶，以濃烈的符號(hào)和隱喻，展現(xiàn)實(shí)驗(yàn)風(fēng)格，透過一段萍水相逢的奇遇，映照生命的困頓與無常，探索欲望與歸屬。柏林影展視角單元。
午夜之子
雅各布（Zak Kilberg 飾）是一個(gè)奇怪的小伙子，他似乎患有一種怪病，這種病令他無法生活在陽光之下，長久以來，雅各布一直都隱藏在黑暗之中，直到有一天他邂逅了一位名為瑪麗（Maya Parish 飾）的調(diào)酒師，相互吸引的兩人很快就墜入了愛河之中?！ u漸的，瑪麗察覺到了雅各布異于常人的地方，他的行為舉止不僅變得越來越古怪，雅各布還必須時(shí)時(shí)克制自己越來越?jīng)坝康氖妊?。為了獲得血液，雅各布?xì)⒘巳?，現(xiàn)在，他需要擔(dān)心受怕的事情又多了一件，如何躲避警察的調(diào)查成為了重中之重?？杉幢闳绱?，雅各布還是深深的愛著瑪麗，為了能夠?qū)旣惲粼谏磉?，雅各布不得不做出更加出格的舉動(dòng)。
標(biāo)錯(cuò)參
洪金寶,鐘鎮(zhèn)濤,王祖賢,梁珊,曹查理,陳友在一家珠寶貿(mào)易公司工作的肥丁（洪金寶）因是胖仔外加做人老實(shí)，常被老板娘周太（梁珊）和其弟（曹查理）騎在頭上，重活臟活全要攬下不說，工作稍微出點(diǎn)錯(cuò)就會(huì)被罵得狗血淋頭。一日，他和在貨運(yùn)部工作的同事阿B（鐘鎮(zhèn)濤）一起按老板吩咐送鉆石給中東酋長，之后將所收錢款送往銀行的途中遭劫，周太和其弟不問青紅誣告兩人與劫匪是同伙?！ ≡较朐絹須獾姆识Q定綁架周太以泄壓抑已久的怒火。在他準(zhǔn)備行動(dòng)之時(shí)，周家剛從美國歸來的女兒祖兒（王祖賢）正同后母周太發(fā)生激烈的爭吵，結(jié)果陰差陽錯(cuò)祖兒被他綁架，之后又被阿B綁至家中。肥丁在阿B的逼迫下無奈向周家索要贖金，一時(shí)笑料百出。
阿爾瑪與狼
伊桑·恩布里,李麗君,馬瑟·澤科爾,Alexandra Doke,杰雷米·哈里斯,Beth Malone,達(dá)娜·米利肯,Kevin Allison,Lukas Jann以俄勒岡州海岸為背景，陷入困境的警官倫·阿科德調(diào)查一起神秘的狼襲擊事件。當(dāng)他關(guān)系疏遠(yuǎn)的兒子在案件中失蹤時(shí)，事情嚴(yán)重起來。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
麻雀女王追男仔
高海寧,馬國明,陳家樂,陳靜,邱意濃,許紹雄,郭珮文,李尚正,麥玲玲,林盛斌,戴耀明,程可為,蔡潔,林襄,文佐匡龍家村村長龍卷峰（許紹雄飾）育有三女一子，分別名叫龍小東（高海寧飾）龍小南（陳靜飾）龍小茜（郭佩文飾）和龍小北（文佐匡飾） 大家姐小東是連續(xù)五年晉身最佳業(yè)績的百萬元桌級(jí)經(jīng)理。外表事業(yè)女王的小東卻是一個(gè)「天生麻將狂」，更偏偏戀上科學(xué)家男友馬壯（馬國明飾）馬壯對小東情深一往，只是他一世人最憎人打麻雀，為了不讓愛郎失望，小東竭力隱瞞自己是麻雀狂的真相 二妹小南攻讀戲劇，畢業(yè)後當(dāng)不了演員，卻在片場擔(dān)任「親密指導(dǎo)員」，遇上了躁狂影帝千紅哥（陳家樂飾），二人對戲劇追求南轅北轍，但兩個(gè)火星撞地球的人偏偏在相處過程由歡喜冤家變成擦出愛火花。 三妹小茜一天竟被小北老闆，胸圍廠太子爺林雨雲(yún)（李尚正鉓）落力追求，以為大團(tuán)圓結(jié)局之際誰知真相峰廻路轉(zhuǎn)，小茜和雨雲(yún)相愛背後，其實(shí)也暗藏一個(gè)驚天秘密。 三對男女，情場上各有各精彩，如何收科？