影片推薦
斯大林格勒大血戰(zhàn)
鮑沃斯·布斯,柳博米拉斯·勞恰維丘斯,謝爾蓋·尼科年科,費(fèi)爾南多·阿連德,米哈伊爾·烏里揚(yáng)諾夫,格特·容加斯,鮑里斯·涅夫佐羅夫,布魯諾·弗雷因德利赫,亞歷山大·戈洛博羅德科,Yevgeni Burenkov,費(fèi)奧多爾·邦達(dá)爾丘克,卡爾·海因茨·喬恩斯基,歐克薩娜·范德拉,謝爾蓋·加爾馬什,瓦倫丁·格魯本科,Andrei Grinevich,安德烈·古塞夫,Gerd Michael Henneberg,阿爾喬姆·卡拉佩強(qiáng),季格蘭·格奧薩揚(yáng),尼古拉·克留奇科夫,羅納德·萊西,Horst Schulze,La致我的青春
Theo Camillo Taslim,Fendy Chow,Agus Wibowo副總統(tǒng)
克里斯蒂安·貝爾,艾米·亞當(dāng)斯,史蒂夫·卡瑞爾,山姆·洛克威爾,娜奧米·沃茨,艾麗森·皮爾,埃迪·馬森,賈斯汀·柯克,麗莎蓋伊·漢密爾頓,杰西·普萊蒙,比爾·坎普,唐·麥克馬納斯,莉莉·拉貝,謝伊·惠格姆,斯蒂芬·阿德利·葛爾蓋,泰勒·派瑞,杰夫·博斯利,吉利安·阿美娜特,馬修·雅各布斯思緒膨脹
Jessica Uberuaga,Michael Marinaccio,魯克·高斯,喬恩·馬克,Steve Hanks阿勒泰之歌
阿依波塔·杰恩斯,銀珠·木拿里別克,海拉提·哈木,張大磊,張雅玫,達(dá)列力汗·哈德爾,阿來·阿依達(dá)爾汗,葉爾那爾·俄合拉斯別克,阿力木江·吐爾斯拜克,麗娜·夏侃,阿依江·賽力克,達(dá)布力·黑巴提,庫力加孜拉·比亞地維克多·弗蘭肯斯坦
詹姆斯·麥卡沃伊,丹尼爾·雷德克里夫,杰西卡·布朗·芬德利,安德魯·斯科特,馬克·加蒂斯,露易絲·布瑞麗,丹尼爾·梅斯,弗萊迪·?？怂?布隆森·韋伯,埃利斯戴爾·皮特里,斯賓塞·懷爾丁,卡勒姆·特納同類精選
影視排行
國寶2025
吉澤亮,橫濱流星,渡邊謙,高畑充希,寺島忍,田中泯,森七菜,見上愛,永瀨正敏,黑川想矢,三浦貴大本片改編自吉田為了采訪3年，穿著歌舞伎的黑衣進(jìn)入后臺(tái)的經(jīng)驗(yàn)而寫出的長篇小說，出生于任俠一門、投身于歌舞伎世界、將青春獻(xiàn)給演藝之路的喜久雄，賭上自己的生命去追求無盡的夢想的宏偉故事：舞臺(tái)是從戰(zhàn)后到高度經(jīng)濟(jì)成長期的日本。出生于任俠家族的喜久雄，遭遇了數(shù)奇的命運(yùn)，被拽到歌舞伎演員的家中。不久后，在動(dòng)蕩的人生中，他作為歌舞伎演員的才能開花結(jié)果。
致命玩笑2001
保羅·沃克,斯蒂夫·扎恩,莉莉·索博斯基,布萊恩·雷科內(nèi)爾,吉姆·比弗,特里·倫納德,格溫達(dá)·迪肯,休·達(dá)恩,杰伊·埃爾南德斯,沃爾頓·戈金斯,泰德·拉文,帕特里克·羅伯特·史密斯,Jessica Bowman,Stuart Stone,Basil Wallace,Mary Wickliffe,McKenzie Satterthwaite,Dell Yount,Kenneth White,Luis Cortés,Michael McCleery,Rachel Singer,John Maynard,蒂姆·暑假來臨，大學(xué)新生劉易斯·托馬斯（保羅·沃克爾 Paul Walker 飾）決定穿州過省，前往新澤西去看望他自高中時(shí)代便喜歡的女孩維娜·威爾柯斯（Leelee Sobieski 飾）。為了打發(fā)旅途上的無聊時(shí)光，他將正因酒后駕車蹲局子的老哥富勒（史蒂夫·贊恩 Steve Zahn 飾）保釋出來，兄弟倆一路通行。 旅途中，富勒買了一部車載對講機(jī)，與其他的司機(jī)扯皮聊天。期間他們搭上一個(gè)綽號(hào)“銹釘”的卡車司機(jī)，富勒突發(fā)奇想，慫恿弟弟假扮女人用對講機(jī)勾引銹釘。對他們來說，這似乎是旅途中一個(gè)無傷大雅、轉(zhuǎn)眼就忘的玩笑。沒想到他們卻惹上了這個(gè)難纏和恐怖的家伙。在接下來的時(shí)間里，銹釘成為劉易斯、富勒和維娜難以擺脫的噩夢……
養(yǎng)鬼吃人6：死亡代碼
迪恩·文特斯,Ashley Laurence,Doug Bradley在"猛鬼追魂"系列的第5集中， 手拿魔方，以"制造悲傷"著稱， 有魔力的Pinhead(道格·布拉德利)已經(jīng)返回，準(zhǔn)備再次用他的大批的Cenobites給地球上的人們帶來地獄般的惡夢、折磨和死亡。 但是Kirsty科頓·(阿什利·勞倫斯)， 唯一已經(jīng)戰(zhàn)勝二次Pinhead的人，回來，準(zhǔn)備再一次跟Pinhead 和Cenobites作戰(zhàn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.