劇情簡介
警方人員發(fā)現(xiàn)一具被掛在墻上血肉模糊的男性尸體,從他的穿著可知此人屬有錢人家;探長在房間內(nèi)仔細(xì)地逐一細(xì)看下,終于發(fā)現(xiàn)房內(nèi)擺放著精致的細(xì)小紙盒,每一個盒內(nèi)載著一小撮女人之物,而其中一個放著的是一張列滿女人名字的紙條,;玉 ;是其中一個名字,由于名字是以中國字書寫的,因此引起探長的注目,案件亦由此開始逐步揭開,終于發(fā)現(xiàn)
為你推薦
灣岸 midnight the movie
中村優(yōu)一,小林涼子高中三年級學(xué)生朝倉曉生是個車迷,這天他在車行里發(fā)現(xiàn)了一輛深藍色的日產(chǎn)FairladyS30Z。這正是傳說中的“惡魔Z”,號稱速度最快的改裝車。據(jù)說“惡魔Z”仿佛有著自己的意志,能夠根據(jù)情況做出反應(yīng),它的高速令人生畏,卻又深深地吸引著追求速度之夢的人們。“惡魔Z”曾經(jīng)的擁有者都出了事故,這輛車在世上銷聲匿跡了一陣,竟然又出現(xiàn)了。曉生迷上了“惡魔Z”,為之投入了全副精力,試圖去完全掌控它。 繪梨子的哥哥晶夫也因為“惡魔Z”而死,繪梨子非常討厭這輛車,反對讓它復(fù)活。然而曉生的熱情感染了她,她在曉生身上看到了哥哥的影子,漸漸地開始支持他?! ±L梨子的男朋友島達也曾經(jīng)是晶夫的賽車朋友,他認(rèn)為應(yīng)該把“惡魔Z”銷毀,阻止再有人犧牲。達也將愛車黑色保時捷911重新改裝,向曉生發(fā)出了戰(zhàn)書?! 耗與黑鳥的對決拉開了序幕……
鐵弓傳奇
孟可,王昱凱,潘洋,張莉佳,李運凱總兵石須龍之子石倫強搶秀英,匡忠出手相救、拉開寶弓,二人因弓結(jié)緣。秀英、匡忠逃跑途中互生情愫,二人在識破石須龍貪污軍餉罪行的過程中重新認(rèn)識彼此、相知相愛,聯(lián)合月英帶領(lǐng)的二龍山眾兄弟打倒石須龍。
冰封之地
尼古拉斯·凱奇,約翰·庫薩克,凡妮莎·哈金斯,凱瑟琳·拉·納莎20世紀(jì)80年代初,站街流鶯辛蒂(瓦妮莎·哈金斯 Vanessa Hudgens 飾)險些遭人殺害。與此同時,在阿拉斯加一處荒涼所在,一名女性尸體被人發(fā)現(xiàn)。警官杰克·海爾康伯(尼古拉斯·凱奇 Nicolas Cage 飾)從辛蒂處了解到,兇手手段殘暴無情,并且可能是個連環(huán)殺手。由于背負(fù)著不堪回首的過去,杰克一方面決定保護這個僥幸從死神手中逃脫的女孩,另一方面將目標(biāo)鎖定在曾在70年代有過前科的男子羅伯特·漢森(約翰·庫薩克 John Cusack 飾)身上。羅伯特道貌岸然,不動聲色繼續(xù)著他的獵殺活動,當(dāng)他意外再度出現(xiàn)在辛蒂面前時,正邪雙方的對決即將到了關(guān)鍵時刻…… 本片根據(jù)真實事件改編。
三傻大鬧寶萊塢
阿米爾·汗,卡琳娜·卡普爾,馬達范,沙爾曼·喬希,奧米·瓦依達,博曼·伊拉尼,莫娜·辛格,拉杰夫·拉賓德拉納特安本片根據(jù)印度暢銷書作家奇坦·巴哈特(Chetan Bhagat)的處女作小說《五點人》(Five Point Someone)改編而成。法蘭(馬德哈萬 R Madhavan 飾)、拉杜(沙曼·喬希 Sharman Joshi 飾)與蘭喬(阿米爾·汗 Aamir Khan 飾)是皇家工程學(xué)院的學(xué)生,三人共居一室,結(jié)為好友。在以嚴(yán)格著稱的學(xué)院里,蘭喬是個非常與眾不同的學(xué)生,他不死記硬背,甚至還公然頂撞校長“病毒”(波曼·伊拉尼 Boman Irani 飾),質(zhì)疑他的教學(xué)方法。他不僅鼓動法蘭與拉杜去勇敢追尋理想,還勸說校長的二女兒碧雅(卡琳娜·卡普 Kareena Kapoor 飾)離開滿眼銅臭的未婚夫。蘭喬的特立獨行引起了模范學(xué)生“消音器”(奧米·維嘉 Omi Vaidya 飾)的不滿,他約定十年后再與蘭喬一決高下,看哪種生活方式更能取得成功?! ”酒@孟買電影博覽獎最佳影片、最佳導(dǎo)演、最佳配角(波曼·伊拉尼)、最佳劇本等六項大獎,并獲國際印度電影協(xié)會最佳影片、最佳導(dǎo)演、最佳劇情、最佳攝影等十六項大獎。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
這就是我2026
望月春希,齋藤工主人公賢示自幼飽受性別認(rèn)同困擾,卻始終未放棄成為偶像的夢想。醫(yī)生和田在與賢示相遇后,首次直面性別認(rèn)同障礙的現(xiàn)實,并以賢示為首例親自主刀的性別重置手術(shù)患者。一個選擇活出自我,一個探索“真正的醫(yī)療”,兩人在偏見與孤獨中建立起深厚信任與羈絆。 本片改編自春菜愛與和田耕治的原著,講述開啟禁忌手術(shù)之門的真實故事。
夏洛克:未敘之章特別篇
藤岡靛,巖田剛典,木南晴夏,山田真步,佐佐木藏之介好評のうちに最終回を終えた『シャーロック』。このたび23日(月)21時~22時48分に『シャーロック特別編』を放送することが決定しました。そして木南晴夏さんがゲスト出演します。木南さんが演じるのは、フリージャーナリスト?門司かれん(もんじ?かれん)。16日(月)最終回のラストシーンで、獅子雄(ディーン?フジオカ)はついに宿敵?守谷壬三(大西信満)と対峙。しかし獅子雄は、若宮(巖田剛典)や江藤(佐々木蔵之介)の目の前で守谷と共に海中に沈んでしまいました。