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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
六號關(guān)口
凱特·波茨沃斯,托馬斯·克萊舒曼,盧錫安·拉維斯科特,馬丁·麥凱恩After serving two years on a military outpost in the middle of an ocean – four soldiers are waiting for a new crew to replace them. When the long-awaited boat finally appears, it’s empty with no relief on board. When trying to find out what happened to the boat and the missing crew, they realize they’ve lost all communications with home. Cut off from the rest of the world and no one coming to get them, Baines, Sullivan, Cassidy and Hendryx must fight with suspicions about each other and find a new way to get home. If home still exists.
浴血蔣家河口
任帥,關(guān)亞軍,曹楠,計美臣蔣家河口戰(zhàn)役打響了新四軍抗戰(zhàn)的第一槍，也是新四軍挺進敵后打伏擊的第一仗。此役以少克眾，以弱勝強，孤軍深入，出奇制勝，給了囂張跋扈、不可一世的日本侵略者一個結(jié)結(jié)實實的下馬威，極大地鼓舞了中國軍民的抗戰(zhàn)斗
充氣情人
朱可兒,王波文,鄒旭峰,袁宗軒潘金蓮（朱可兒 飾）時候，因為對前世的感情放不下，所以一直在陰間徘徊，遲遲不能轉(zhuǎn)世投胎，在一次企圖逃跑的時候被鐘馗捉住，為了懲罰潘金蓮，鐘馗給了她十日的期限，讓她重返人間自斷執(zhí)念，否則就要她魂飛魄散，哪知道在誤打誤撞之中，潘金蓮竟然附身在了一個充氣娃娃的身上，被名為武志（王波文 飾）的男子買回了家?！ 渭兩屏嫉奈渲咀屌私鹕徳俣认嘈帕巳碎g有真愛，在幫助武志追求心儀的女神的同時，潘金蓮漸漸愛上了他，而武志也最終明白誰才是最值得托付終身的人，兩人最終心意相通，但是，十日的大限將到，留給他們的時間不多了。
沼澤怪物1982
路易斯·喬丹,阿德里安娜·巴比歐,雷·懷斯一名科學(xué)家在實驗中不小心沾到了一種具有快速成長特性的化學(xué)液體，不久，他就變成了半人半獸的水怪。這時，野心分子也想獲得這種具有快速成長特性的化學(xué)液體的秘密公式，他們遂派員追殺持有科學(xué)家記事本的電子專家。后來他們發(fā)現(xiàn)了這名科學(xué)家的下落，終于在沼澤區(qū)這幫野心分子跟科學(xué)家變成的水怪展開了決斗。這是一部滑稽可笑的科幻動作片，水怪的化妝和服裝都顯得愚笨而不能入信，對白亦平淡乏味，整部影片露出了低成本制作的粗糙感