黑暗之中:人妻彩乃的不貞妄想

評(píng)分:5.5 播放:04萬(wàn) 更新:2026-05-09
主演: 琴乃 うさぎつば 

本片是一部描寫因缺乏性生活而即將爆發(fā)的已婚女子,為尋求刺激而陷入幻想,最終被令人戰(zhàn)栗的恐怖襲擊的SE.qing恐怖懸疑片。

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  故事背景是未來(lái)世界的洛杉磯,此時(shí)已有三十萬(wàn)的外星人勞工移民進(jìn)入美國(guó),跟地球人打成一片。地球刑警塞克斯的搭檔慘遭殺害,為了找出真兇,他只有接受外星族警察法蘭西斯作為新搭檔。在追查真相過(guò)程中,兩個(gè)不同種類的刑警逐漸消除了對(duì)彼此的不信任,以及克服在不同種族查案時(shí)遇到的阻礙,合力對(duì)付主要的嫌疑犯——不懷好意的地球企業(yè)家泰倫斯·史丹普。

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  某個(gè)晴朗假日,美國(guó)青年尼克(Jay Gillespie 飾)和好友史蒂文(Nick Eversman 飾)驅(qū)車穿越國(guó)境線,打算前往墨西哥的提華納尋找一次絕佳的艷遇。他們很快便鎖定了一個(gè)性感尤物,但是突如其來(lái)的意外讓二人的狂歡設(shè)想灰飛煙滅。正當(dāng)他們垂頭喪氣之際,某當(dāng)?shù)厝怂徒o二人一個(gè)精致的魔方。尼克和史蒂文的命運(yùn)就此改寫,他們也有如人間蒸發(fā)一般消失。  尼克和史蒂文的失蹤給各自家人莫大的打擊,在一次家庭聚會(huì)中,艾瑪(Tracey Fairaway 飾)從兩人的行李中找到了那枚魔方,而渾身是血的史蒂文也突然出現(xiàn)在房間內(nèi)。家人們對(duì)此感到驚奇喜悅,卻不知道丁頭鬼的魔爪正慢慢伸向他們……

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露娜瑪雅,Maxime Bouttier,Agus Kuncoro

  一名退伍軍人得到一份搶劫房子的工作,但結(jié)果發(fā)現(xiàn)這所房子是 Nyai 的房子,Nyai 是一位小妾,又名 Gundik。

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster