絲襪會(huì)所

★ 9.1 播放：80萬(wàn) 更新：2026-05-15
主演： 任馳/

　　成都女孩瑞兒（王瑞兒飾）和丈夫小哲（王龍飾）結(jié)婚多年，彼此之間感情十分要好，恩愛(ài)有eee。小哲的夢(mèng)想是成為一名導(dǎo)演，然而，現(xiàn)實(shí)是蒼白的，他們只能委身于巨大的生活壓力之下。不過(guò)，溫柔細(xì)心的瑞兒從來(lái)都沒(méi)有忘記過(guò)小哲的理想，努力著希望有一天能夠幫助小哲完成他的夢(mèng)想?！　≡谂笥训耐扑]之下，瑞兒來(lái)到了一家絲襪主題的私人會(huì)所上班，在這里遇見(jiàn)了娜娜（蘇菲飾）和莉莉（周芮伊飾）等人，會(huì)所里的競(jìng)爭(zhēng)十分激烈，女孩們明爭(zhēng)暗斗，都希望能夠坐上頭牌的交椅。憑借著自己的努力，瑞兒最終成為了頭牌，然而，讓她沒(méi)有想到的是，小哲有朝一日竟然會(huì)成為自己的客人，而這一切皆是瑞兒的競(jìng)爭(zhēng)對(duì)手一手策劃的陰謀。

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劇情簡(jiǎn)介

　　成都女孩瑞兒（王瑞兒飾）和丈夫小哲（王龍飾）結(jié)婚多年，彼此之間感情十分要好，恩愛(ài)有eee。小哲的夢(mèng)想是成為一名導(dǎo)演，然而，現(xiàn)實(shí)是蒼白的，他們只能委身于巨大的生活壓力之下。不過(guò)，溫柔細(xì)心的瑞兒從來(lái)都沒(méi)有忘記過(guò)小哲的理想，努力著希望有一天能夠幫助小哲完成他的夢(mèng)想?！　≡谂笥训耐扑]之下，瑞兒來(lái)到了一家絲襪主題的私人會(huì)所上班，在這里遇見(jiàn)了娜娜（蘇菲飾）和莉莉（周芮伊飾）等人，會(huì)所里的競(jìng)爭(zhēng)十分激烈，女孩們明爭(zhēng)暗斗，都希望能夠坐上頭牌的交椅。憑借著自己的努力，瑞兒最終成為了頭牌，然而，讓她沒(méi)有想到的是，小哲有朝一日竟然會(huì)成為自己的客人，而這一切皆是瑞兒的競(jìng)爭(zhēng)對(duì)手一手策劃的陰謀。

導(dǎo)演精選

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

安妮·霍爾

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殺戮元兇：狙擊手

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