十年愛(ài)
改編自日本著名漫畫(huà)倉(cāng)科遼暢銷(xiāo)同名作品，《十年愛(ài)》由植田中導(dǎo)演，是櫻井麻里首部演出的電影作品。以夜店題材，《十年愛(ài)》是倉(cāng)科遼繼《娘王》和《夜王》等人氣情色漫畫(huà)又一部作品搬上熒幕。故事環(huán)繞女生麻理(櫻井麻里飾)，在高中時(shí)戀上男生弘也(末野卓磨飾)，畢業(yè)後為了在新宿找他，淪落風(fēng)塵，在糾纏不清的肉體和感情關(guān)系下，度過(guò)了失落的十年。 ??高中足球賽決勝時(shí)刻，主將弘也未能獲勝，學(xué)校的英雄瞬間失去朋友與自信。一直喜歡弘也的麻理，不忍心看他自暴自棄，甘愿用肉體去安慰他。高中分別後，為了找弘也，麻理不惜千里迢迢到新宿，無(wú)處容身的她被迫淪為妓女，陰差陽(yáng)錯(cuò)邂逅弘也好友阿弘。闊別十年，麻理最終以妓女身份重遇同為牛郎的弘也…初戀情人與曾渡患難的現(xiàn)任男友，麻理將如何抉擇？
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深度安靜
張孝全,林依晨,金士杰,丁寧,陳季霞,馬志翔,蔡亙晏,孟克柔影片改編自林秀赫同名短篇小說(shuō)。講述諭明與依庭相遇于大學(xué)圖書(shū)館里的深度安靜區(qū)，兩人相愛(ài)并走入婚姻，正期待迎接第一個(gè)孩子。然而，依庭的意外自殺讓諭明陷入混亂與痛苦。他想起依庭在懷孕后變得異常，甚至提出離婚。自責(zé)的諭明照顧起依庭的家人，透過(guò)深入了解她的家庭后，開(kāi)始理解她的行徑，以及她無(wú)法面對(duì)自己父親的原因，真相卻讓人難以接受。
菲律賓女孩
喬里貝爾·阿戈托,Joanna Marie Banua,安吉莉·芭雅妮,沙梅恩·布埃諾卡米諾,安娜·布金德,卡門(mén)·卡斯特利亞諾斯,Bullet Dumas,Teroy Guzman,Nour Hooshmand,阿戈特·伊西德羅,Pipay Kipay,Thea Marabut,米卡·戈麥斯,魯比·魯伊斯,伊莎貝爾·西卡特,卡洛斯·西古伊納-瑞納,Jewel Sotelo,Sunshine Teodoro,Elle Velasco故事發(fā)生在馬尼拉一處精英高爾夫球場(chǎng)與鄉(xiāng)村俱樂(lè)部的封閉生態(tài)中：在俱樂(lè)部打工的“發(fā)球童”伊莎貝爾對(duì)俱樂(lè)部主席帕蘭卡醫(yī)生產(chǎn)生難以名狀的吸引，但當(dāng)她逐步拼湊出俱樂(lè)部光潔表象下的暴力真相時(shí)，她意識(shí)到這段“迷戀”其實(shí)牽連著更陰暗的共同過(guò)往。
夢(mèng)起云上
劉承林,李寶安,潘悅八百里關(guān)中平原，一起商販和果農(nóng)的收購(gòu)沖突事件，促使兩個(gè)在外打拼的年輕人走在了一起，是素未蒙面的陌生人也是創(chuàng)業(yè)合作的歡喜冤家。在互聯(lián)網(wǎng)電商直播的浪潮下，他們和心懷希望的村民們擦出了神奇的火花，一起開(kāi)啟了一段瘋狂的嘗試與冒險(xiǎn)，踏上了共同致富的曼妙旅程。
血統(tǒng)殺人魔
肖妮·史密斯,塔恩·曼寧,泰瑞斯·吉布森,布魯斯·鄧恩,James Gaudioso,德魯·莫爾萊恩,蒙塔娜·吉利斯,Kresh Novakovic,薩爾·倫迪諾,Adam Shippey,丹尼爾·科斯格羅夫,Jennifer King,約翰·D·?？寺?Anthony Gaudioso,Caroline DeGrave,Anthony Aquilino,Christine Altan,Byron Clohessy,馬特·菲力本,Tyler SimmonsMoira Cole家人被殘忍地殺害后努力地想要重建破碎的生活，但一切并不會(huì)那么容易，因?yàn)闅⒑λ胰说恼桥c她擁有同樣血脈的表弟。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
細(xì)骨小屋
賽迪·斯歐維奧,喬莉·理查德森,尼爾·林波在一場(chǎng)暴風(fēng)雨中，兩個(gè)罪犯找到了一個(gè)看似廢棄的農(nóng)場(chǎng)小屋避雨。他們挾持了里面的居民，但沒(méi)有想到，這個(gè)看似廢棄的小屋有著自己的秘密......