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采石場(chǎng)的圣母
Dolores Oliverio,Luisa Merelas,費(fèi)爾南達(dá)·埃切瓦里亞·德爾·里韋羅,達(dá)迪·布列瓦,Agustín Dalmasio Sosa2001年阿根廷社會(huì)動(dòng)蕩的盛夏,布宜諾斯艾利斯郊區(qū)的三個(gè)少女閨蜜,都對(duì)發(fā)小迭戈暗藏情愫。迭戈與成熟女性西爾維婭相戀后,少女納塔莉亞在祖母的幫助下,對(duì)二人施下黑魔法詛咒。失控的詛咒引發(fā)超自然災(zāi)難,將所有人拖入采石場(chǎng)湖的黑暗深淵,青春期的嫉妒與欲望,在南美社會(huì)的創(chuàng)傷背景下,演變成一場(chǎng)無(wú)法逆轉(zhuǎn)的致命危機(jī)。
靈幻夾克
艾德里安·布洛迪,凱拉·奈特莉,克里斯·克里斯托佛森,詹妮弗·杰森·李,丹尼爾·克雷格,凱莉·林奇,布拉德·蘭弗洛,斯蒂文·麥金托什,布蘭登·柯伊爾,麥肯茲·菲利浦斯,勞拉·馬蘭洛,詹森·劉易斯,喬哈·羅坦,安琪兒·庫(kù)碧時(shí)空的轉(zhuǎn)換,現(xiàn)在與未來(lái)的穿梭,都在杰克(亞德里安·布洛迪 Adrien Brody 飾)身上神奇的發(fā)生著。他本來(lái)是一個(gè)參與過海灣戰(zhàn)爭(zhēng)的美國(guó)軍人。意外中彈令他喪失了記憶,成為一個(gè)失憶者。繼而更倒霉的是,他被警方認(rèn)作殺人疑犯拉回審訊。因?yàn)榕卸榫窦膊?,杰克免于坐牢,只是被帶到精神病院,作為某?xiàng)科學(xué)實(shí)驗(yàn)的樣品?! ♂t(yī)生為杰克穿上了緊身衣物,把他放進(jìn)停尸間。這里黑暗冰冷,只剩下零散的記憶碎片陪伴杰克。碎片中有著他將來(lái)的模樣,有著一個(gè)心愛的叫杰基(凱拉·奈特利 Keira Knightley飾)的女子,更有著自己快要死去的訊息。在記憶中看到將來(lái)的杰克,在一線希望中尋找著通往生機(jī)的鑰匙。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
阿勒泰之歌
阿依波塔·杰恩斯,銀珠·木拿里別克,海拉提·哈木,張大磊,張雅玫,達(dá)列力汗·哈德爾,阿來(lái)·阿依達(dá)爾汗,葉爾那爾·俄合拉斯別克,阿力木江·吐爾斯拜克,麗娜·夏侃,阿依江·賽力克,達(dá)布力·黑巴提,庫(kù)力加孜拉·比亞地本片由《阿利亞的吉爾巴拉》《風(fēng)的約定》《別時(shí)青青》《那時(shí)我還小》《古麗娜的枕頭》五部短片組成,故事聚焦阿勒泰普通人的平凡生活……
陰陽(yáng)師2
野村萬(wàn)齋,深田恭子,中井貴一,伊藤英明,市原隼人平安時(shí)代,百鬼夜行,封鬼儀式正在右大臣藤原安麻呂府邸進(jìn)行。安麻呂之女日美子(深田恭子 飾)戎裝登場(chǎng),一箭命中靶心,引來(lái)全場(chǎng)驚嘆。這位被喻為“連鬼都不敢接近”的公主,卻令源博雅(伊藤英明 飾)暗自傾心。天現(xiàn)異象,京都騷動(dòng),魍魎橫行。平安京已有四人遇害,民間出現(xiàn)驅(qū)鬼術(shù)士幻角(中井貴一 飾),日美子亦在異象后開始?jí)粲?。博雅為此替右大臣?lái)請(qǐng)安倍晴明(野村萬(wàn)齋 飾)商談。與此同時(shí),宮廷供奉的出云三神器之一草薙劍也出現(xiàn)了異動(dòng)。晴明受天皇所托,與博雅開始調(diào)查種種異況背后出云與大和的隱秘淵源?! 〔┭藕鸵箯椗玫纳衩厣倌觏氉簦ㄊ性廊?飾)相識(shí)為樂友,須佐負(fù)傷被日美子所救,三人在右大臣府邸相逢。同一時(shí)刻,右大臣主動(dòng)找到晴明,坦白了十八年前天現(xiàn)異象時(shí),大和攻打出云的事實(shí)…… 本片為電影《陰陽(yáng)師》續(xù)作。
瑪麗和麥克斯
托妮·科萊特,菲利普·塞默·霍夫曼,巴瑞·哈姆弗萊斯,艾瑞克·巴納,貝塔尼·維特莫爾,蕾妮·蓋耶,伊恩·莫利·梅爾德倫,朱莉·福塞斯,約翰·弗勞思,克里斯托弗·馬西,卡羅琳·莎士比亞-艾倫,琳恩·史密斯,邁克爾·延納1976年,8歲的瑪麗·黛西·丁格爾(貝絲妮·惠特摩爾 Bethany Whitmore 配音)是澳大利亞墨爾本的一個(gè)小女孩,喜歡動(dòng)畫片“諾布利特”、甜煉乳和巧克力。瑪麗的媽媽是個(gè)酒鬼,而在茶葉包裝廠工作的父親平日只喜歡制作鳥標(biāo)本。孤獨(dú)的瑪麗沒有朋友,某一天心血來(lái)潮給美國(guó)紐約市的馬克思·杰瑞·霍羅威茨(菲利普·塞默·霍夫曼 Philip Seymour Hoffman 配音)寫了一封信詢問美國(guó)小孩從哪里來(lái),并附上一根櫻桃巧克力棒。44歲的馬克思患有自閉癥及肥胖,碰巧也喜歡看“諾布利特”動(dòng)畫片及吃巧克力。二人的筆友關(guān)系從1976年維持到1994年,期間各自經(jīng)歷了許多人生起伏,直到成年的瑪麗(托妮·科萊特 Toni Collette 配音)終于來(lái)到紐約看望馬克思……本片獲2009年法國(guó)昂錫國(guó)際動(dòng)畫影展最佳動(dòng)畫長(zhǎng)片獎(jiǎng),柏林國(guó)際電影節(jié)水晶熊獎(jiǎng)及渥太華國(guó)際動(dòng)畫電影節(jié)最高獎(jiǎng)。
月球
山姆·洛克威爾,凱文·史派西,多米妮克·麥克艾麗戈特,卡雅·斯考達(dá)里奧,本尼迪克特·黃,馬特·貝里,馬爾科姆·斯圖爾特,羅賓·查克未來(lái)世界,隨著科技的飛速進(jìn)步,地球的污染也越來(lái)越嚴(yán)重。為了遏制這種現(xiàn)狀,一家名為月能工業(yè)有限公司的企業(yè)應(yīng)運(yùn)而生。該公司致力于月球能源的開發(fā),通過采集氦-3來(lái)滿足地球?qū)δ茉吹男枨?。月能公司在月球設(shè)有基地,山姆·貝爾(山姆·洛克威爾 Sam Rockwell 飾)正是該基地 上唯一的工作人員。山姆是公司聘用的合同工,他已在月球孤零零地生活3年,陪伴他的只有智能機(jī)器人戈蒂(凱文·斯派西 Kevin Spacey 飾)??菰锓ξ兜纳盍钌侥窔w心似箭,在還有兩周就離開月球的時(shí)候,山姆偶然遭遇一起事故。醒來(lái)后的他發(fā)現(xiàn)戈蒂似乎對(duì)其有所隱瞞,公司高層也拒絕他的回程請(qǐng)求。山姆借機(jī)逃出基地,卻在事故發(fā)生地點(diǎn)發(fā)現(xiàn)另一個(gè)自己…… 本片榮獲2009年愛丁堡國(guó)際電影節(jié)最佳英國(guó)影片獎(jiǎng)、2009年西雅圖國(guó)際電影節(jié)最佳男主角獎(jiǎng)。