惡少

無(wú)限：未知對(duì)象

　　Jane is trapped in an unknown world with endless possibilities. She has to discover a way to access them and alter her reality before she is destined to repeat the same test over and over again, Ad Infinitum.

人皮燈籠

　　1963年，一伙黑幫分子在老大的指使下將一對(duì)情人殘忍殺害，男子被埋在“十世受苦，不得超生”的陰穴處；而女子被扒皮，皮罩在燈籠上，永世不得超生。　　1993年，蠱惑仔阿輝（梁家輝 飾）終日倒霉透頂，而且身邊連連發(fā)生奇怪靈異世間。阿輝在古董攤買下一古董表，卻被一股力量莫名牽引到一棟廢宅里，半夢(mèng)半醒間見(jiàn)自己與一個(gè)叫小芙蓉的藝旦（邱淑貞 飾）親熱的場(chǎng)面?！　≥x在醫(yī)院被一鬼魂提醒只有四婆能夠解救自己，于是他前往找四婆。四婆為他問(wèn)米，他從盆中之水漸漸看到了自己的前世悲慘遭遇……

繼女2024

健聽(tīng)女孩

 美麗的高中女孩露比·羅西（艾米莉亞·瓊斯 Emilia Jones 飾）出生于一個(gè)極不尋常的漁民家庭，她的父母和哥哥天生聾啞，只能通過(guò)手語(yǔ)交流。而健康無(wú)恙的露比既是幸運(yùn)的，卻也是不幸的。她擔(dān)任了家人和外界交流溝通的橋梁，為此承受了諸多的歧視和嘲笑。這期間，只有好閨蜜戈蒂（艾米·福賽思 Amy Forsyth 飾）是她最堅(jiān)定的支撐。因?yàn)橄矚g男孩邁爾斯（福迪亞·瓦爾什-匹羅 Ferdia Walsh-Peelo 飾），露比報(bào)名參加校合唱團(tuán)，而天資穎悟的很快得到了負(fù)責(zé)老師的賞識(shí)。在此之后，露比頻繁奔波于合唱團(tuán)和家族之間，她渴望前往伯克利追求音樂(lè)夢(mèng)想，而這勢(shì)必要和對(duì)她無(wú)比依賴的原生家庭分隔兩地。露比為此深深焦慮……本片根據(jù)真實(shí)事件改編。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster