販賣·愛
蒂凡尼（陳嘉桓 飾）正在攻讀副學(xué)士的學(xué)位，卻遭遇了經(jīng)濟危機，囊中羞澀的她無奈之下選擇靠援助交際來賺錢，對于自己的選擇，蒂凡尼并沒有太多的顧慮，只是初次交易后心中那種淡淡的不適始終揮之不去。隨著時間的推移，蒂凡尼漸漸成為了行業(yè)內(nèi)的“老手”，她的眼神變得空洞而冷漠，失去了活力。 最終，蒂凡尼決定洗手不干，然而，在經(jīng)理人（朱鳳嫻 飾）的威逼利誘之下，蒂凡尼開始為一位特殊的客人（廖啟智 飾）服務(wù)，而她和這位客人之間，竟然產(chǎn)生了一段奇妙的感情。與此同時，蒂凡尼結(jié)識了名為雷克斯（周柏豪 飾）的單純青年，兩人之間的距離越來越近，當(dāng)?shù)俜材釠Q定拋棄灰暗的過去開啟新生活之時，才發(fā)現(xiàn)過去并不會輕易的過去。?豆瓣
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凌晨是神的時間
日南響子,飛鳥凜,藤本七海據(jù)日本警方統(tǒng)計，每年僅提交申請的失蹤人口就達10萬人，其中9萬人的行蹤可疑確認，但仍有1萬人下落不明。位于遠郊的一座深山叢林，似乎具有著強烈的魔性，無數(shù)人進入這里，從此消失無蹤。少女繭（日南響子 飾）偶然和父親目擊一輛綁架了少女的車，父女倆一路追蹤，走上了不歸之途；家庭主婦真奈（桐島れいか 飾）十年前曾在林中丟失長女，如今他的小女兒阿櫻離家上學(xué)后也一去不返；正在拍攝恐怖電影的新人女演員麗奈（飛鳥凜 飾）結(jié)束工作后，不得不穿越那座恐怖的森林，其中的景象與聲音令她戰(zhàn)栗不已；小女孩薰（藤本七海 飾）受托照顧?quán)徏业暮⒆?，可是她卻遭遇了一個恐怖的人形。 不同的人，不同的故事，同樣的恐怖……
世界末日2022
安妮·海瑟薇,杰瑞米·斯特朗,安東尼·霍普金斯,杰西卡·查斯坦,多米尼克·隆巴多茲,托芙·菲爾德舒,瑪西婭·讓·庫爾茨,泰迪·庫盧卡,邁克爾·班克斯,安德魯·波爾克世界末日是一部非常個人化的電影，展示了家庭的力量和一代人對美國夢的追求
完美伴侶2025
索菲·撒切爾,杰克·奎德,盧卡斯·蓋奇,梅根·蘇麗,哈維·吉蘭,魯伯特·弗蘭德,雅布其·楊-懷特,馬克·門查卡,伍迪·傅,Matt McCarthy,Ashley Lambert講述了一個迷人而又變態(tài)的人和一個被他玩弄于股掌之間的女人之間扣人心弦的故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
18歲的青春
全昭旻,金度延,秋昭貞,樸瑞妍,宋智妍影片講述以與眾不同的教育觀念獲得學(xué)生們的歡迎，但在老師同事間遭受白眼的熙珠（全昭旻 飾），和討厭異想天開的18歲高中生純情（全度延 飾）的相遇。
布賴頓硬糖
薩姆·賴利,安德麗婭·賴斯伯勒,海倫·米倫,約翰·赫特,菲爾·戴維斯,儂索·阿諾斯,克雷格·帕金森,安迪·瑟金斯,西恩·哈里斯,杰夫·貝爾,史蒂文·羅伯特森,莫里斯·洛維斯,斯蒂夫·艾弗茨,Francis Magee,Adrian Schiller英國海濱小鎮(zhèn)布賴頓，凱特斯和卡林奧里兩大黑幫組織盤踞于此，互相角力，此消彼長。某夜，凱特斯被對頭當(dāng)街殺害，視老大如親父的平基（Sam Riley 飾）目睹了兇案的全過程，于是想?yún)⑴c者之一的福瑞德（Sean Harris 飾）展開追殺。福瑞德雖死，卻留下一堆的麻煩，他生前為了躲避跟蹤曾某餐館女侍應(yīng)生羅絲（Andrea Riseborough 飾），并與之留下合影。為了銷毀證據(jù)，平基開始接近這名單純的女孩，而羅絲也漸漸愛上了帥氣冷酷的平基。與此同時，凱特斯的死亡也讓布賴頓的黑幫勢力失衡，一方面卡林奧里迅速擴張，一方面本幫內(nèi)部展開權(quán)力爭奪，平基深陷其中無法自拔…… 本片根據(jù)Graham Greene 的小說改編。