　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

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砵仔糕（周潤發(fā) 飾）、阿占（張國榮飾）和紅豆（鐘楚紅飾）均是孤兒，在養(yǎng)父（曾江飾）栽培下成為國際大盜。長大后成了幫他賺錢的藝術品大盜，而三人同時又認了警察（朱江飾）為干爹。法國巴黎博物館內，名畫《赫林之女仆》被人盜走。與此同時，阿海、阿占和紅豆三人以敏捷身手盜得另一幅名畫，在與法國大哥交易時得知名畫《赫林之女仆》在妖氣重重的古堡內，他們在曾江安排下成功地盜取此畫之后，反被集團原兇曾江與法國大哥合謀設下陷阱，派人追殺滅口。阿海駕車與殺手快艇相撞……三人失散，數年后，他們在香港重聚，阿?！鞍c瘓”住在朱江家里，阿占和紅豆已經結婚了。曾江又逼他們去偷畫……

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