竊欲無罪

評(píng)分：7.0 播放：79萬(wàn) 更新：2026-05-06

Sotto falso nome 丹尼爾以筆名創(chuàng)作了許多熱銷作品，他的私日子徹底藏匿于文壇名利雙收的光環(huán)之下，縱使外界對(duì)他的實(shí)在身分感到獵奇，20余年來，他的兩層人生就像兩條調(diào)和安穩(wěn)的平行線，隱私不受打擾，過著殷實(shí)卻普通的日子。 這天，他與妻子相約意大利卡布里島，預(yù)備參與兒子的結(jié)婚典禮。秀麗的風(fēng)景引發(fā)滿腹文思，瑰麗風(fēng)光令人意亂情迷，丹尼爾搭乘渡輪，意外邂逅年青女子蜜拉，兩人度過一夜溫存。但是，這一段意外的越軌，卻成了他揮之不去的引誘。 回來日內(nèi)瓦的別墅，接二連三的黑函，以偷情的相片作為要脅，丹尼爾懷疑是蜜拉和其奧秘的女人友人一起策劃的圈套，他該怎么處理？另一方面，一通奧秘爆料的電話，讓報(bào)社記者窮追不舍，逼得他有必要出頭舉行記者會(huì)，坦承他的實(shí)在身分，卻意外扯出多年前讓他一炮而紅的成名小說，居然是瓢竊自一位自殺身亡的年青作家... 撲朔迷離的人際聯(lián)系之下，終究躲藏了多少不為人知的隱秘？年青作家、蜜拉與丹尼爾的外遇，與塵封已久的往事又有啥相關(guān)呢？ 劇中風(fēng)險(xiǎn)媚惑的年青奧秘女子，心里巴望愛慾的中年作家以及深愛著丈夫的高雅妻子，三位實(shí)力派藝人詮釋三角聯(lián)系的撲朔迷離及情慾糾葛，在本片鋪陳的懸疑性之外，更添戲曲張力。 　　

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弗蘭西斯·麥克多蒙德,伍迪·哈里森,山姆·洛克威爾,艾比·考尼什,盧卡斯·赫奇斯,彼特·丁拉基,約翰·浩克斯,卡萊伯·蘭德里·瓊斯,凱瑟琳·紐頓,凱瑞·康頓,澤利科·伊萬(wàn)內(nèi)克,薩瑪拉·維文,克拉克·彼得斯,尼克·瑟西,阿曼達(dá)·沃倫,瑪拉雅·瑞沃拉·德魯,布蘭登·薩克斯頓,邁克爾·艾倫·米利甘

 米爾德雷德（弗蘭西斯·麥克多蒙德 Frances McDormand 飾）的女兒在外出時(shí)慘遭奸殺，米爾德雷德和丈夫查理（約翰·哈克斯 John Hawkes 飾）之間的婚姻因此走到了盡頭，如今，她同兒子羅比（盧卡斯·赫奇斯 Lucas Hedges飾）過著相依為命的生活。一晃眼幾個(gè)月過去了，案件仍然沒有告破預(yù)兆，而警方似乎早已經(jīng)將注意力從案子上轉(zhuǎn)移了開來。被絕望和痛苦纏繞的米爾德雷德租下了高速公路邊上的三塊巨型廣告牌，在上面控訴警方辦案無能，并將矛頭直接對(duì)準(zhǔn)了警察局局長(zhǎng)威洛比（伍迪·哈里森 Woody Harrelson 飾）。實(shí)際上，威洛比一直隱瞞著自己身患絕癥命不久矣的事實(shí)。因?yàn)檫@三塊廣告牌，米爾德雷德和威洛比的生活發(fā)生了翻天覆地的變化。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

大電影之?dāng)?shù)百億

姚晨,黃渤,焦陽(yáng),曾志偉,宋佳,王迅

　　以乳鴿店立身的安德森（曾志偉 飾）赴上海創(chuàng)業(yè)，卻迷上炒房，將妻子氣死也未思悔改，這天安德森在影院偶然聽到代言新樓盤“碧水云居”的過氣演員潘志強(qiáng)（黃渤 飾）放出的“內(nèi)部消息”，遂再次籌款預(yù)搶購(gòu)新房。與此同時(shí)，新婚的昔日售樓小姐羅茜（姚晨 飾）為碧水云居付出五萬(wàn)訂金后，驚系該樓盤周邊林立各污染源。潘志強(qiáng)擔(dān)任樓盤主持嘉賓并為售樓公司鞍前馬后，只希望對(duì)方能為自己的新片注資，不料卻被要求退還訂金的羅茜糾纏，潘志強(qiáng)心生一計(jì)，令羅茜將房轉(zhuǎn)賣安德森，事成后自食其言拒退訂金，羅茜無奈只得曝光樓盤內(nèi)幕，結(jié)果引發(fā)連串反應(yīng)，使潘志強(qiáng)與安德森發(fā)現(xiàn)自己陷入了開發(fā)商之局，于是各人苦思脫身之法……

電影版 即便如此，我還是想和妻子做

風(fēng)間俊介,山野仁,島田鐵太,吉本實(shí)憂,熊谷真實(shí),近藤芳正,內(nèi)田慈

本片改編自足立紳同名小說，電影版是包括未公開場(chǎng)景的導(dǎo)演剪輯版本。年過40卻依然不受歡迎的編劇、沒有收入的廢柴丈夫·柳田豪太（風(fēng)間俊介 飾），與吃軟飯一樣的丈夫和兒子一起維持生活、拒絕丈夫的邀請(qǐng)、還破口大罵的可怕妻子·柳田千花（MEGUMI 飾），兩人之間展開了又笑又哭的夫婦故事。