即刻觀影
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
詛咒之刃
A large villa belonging to a collector that is about to be restored into a museum traps project workers who are carrying out a survey. A curse is released, killing the humans inside one by one
借口公司
菲利普·拉肖,艾洛蒂·豐唐,朱利安·阿魯?shù)?塔雷克·布達(dá)里,迪迪埃·布爾東,納塔莉·貝伊,娜威爾·瑪達(dá)尼,梅迪·薩東,樊尚·德扎尼亞,愛麗絲·杜富爾,菲利普·杜克斯納,米歇爾·拉羅克,凱德·麥拉德,薩米·納塞利,喬·普雷斯蒂亞,諾曼·塔沃,喬伊·斯塔爾格雷(菲利普·拉肖 Philippe Lacheau 飾)是“借口.com”公司的創(chuàng)始人,專門為需要“打掩護(hù)”的客戶制造各種各樣的借口和謊言。因為特殊的性質(zhì)和高需求,公司的經(jīng)營蒸蒸日上。一次偶然中,格雷邂逅了名為弗洛(艾羅娣·方坦 élodie Fontan 飾)的女子,弗洛的天真和單純深深的吸引著格雷,令后者墜入情網(wǎng)。格雷深信,她就是他命中注定要尋找的另一半?! ∪欢?,令格雷頭疼的是,弗洛是一個對“撒謊”零容忍的的人,如果告訴了她自己的真實身份,她一定會憤怒的拂袖而去。無奈之下,格雷只得用謊言將自己重重包裝,在虛偽的假面下,格雷終于和弗洛走到了一起,可是當(dāng)他到弗洛家做客時才發(fā)現(xiàn),弗洛的父親竟然就是自己的客戶。
膚色
喬納森·塔克,杰克遜·羅伯特·斯科特,丹妮爾·麥克唐納,朗尼·查維斯,賈里德·戴,山姆·狄龍,邁克爾·維拉爾在美國小鎮(zhèn)一家超市的付款通道中,一個黑人對一個10歲白人小孩(JacksonRobert Scott飾)微笑,不曾想,這個善意的舉動受到誤解,引發(fā)了幫派之間的對抗,并以驚人的結(jié)局收尾。
時光插班生
李冠明,許媛媛,張?zhí)焯?/span>當(dāng)一聲lesson one響起,不知你的思緒是否也回到了有朗朗讀書聲的那間教室,回到有雷蕾、何玫玫、Jimmy、Lily、Lucy和鸚鵡Poly陪伴的青春記憶。然而,雷蕾和何玫玫最終卻沒有走到一起……多年后,這些同學(xué)們因鸚鵡Polly的葬禮齊聚學(xué)校操場,何玫玫帶著丈夫韓剛和兩個女兒到場,一個叫可可,一個叫惜惜,這對雷蕾猶如晴天霹靂!失意之極的李雷在無意中按動了裝有英語聽力磁帶的錄音機(jī),他發(fā)現(xiàn)通過磁帶的快進(jìn)倒帶鍵可以一次又一次的穿越。于是,他開始了一次又一次的追回何玫玫計劃……
狼嚎2023
Ebonie Cadman,杰登·考爾菲德,Jesse Matthews Cooke這是一部只有背景音樂寫實的粗獷毫不妥協(xié)且極具風(fēng)格的獨立無聲藝術(shù)電影,描述在美國式的自由民主制度下所誕生的黑社會陰暗面、地痞流氓、吸食毒品、色情、謀殺、販賣軍火等,改編自古希臘荷馬史詩中的人物故事。