劇情簡介
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罪惡新月城
亞歷克·鮑德溫,泰倫斯·霍華德,埃塞·莫拉雷斯,妮基·韋蘭,邁克爾·希羅,溫斯頓·凱奇,安居爾·尼加姆,Maria Camila Giraldo,瑞瑪·桑帕特,Danielle DruzA small town in the south is ravaged by a serial killer, with everyone being a suspect including the police.
林中女孩
Selah Rose,Doug Wilder,Maggie WilderWidowed farmer Malcolm Gardner lives a quiet life near a secluded forest. When a mysterious ten-year-old girl emerges from the trees, he uncovers a hidden world lurking just beyond his view.
機動戰(zhàn)士高達00劇場版先驅(qū)者的覺醒
宮野真守,三木真一郎,吉野裕行,神谷浩史,本名陽子,東地宏樹,高垣彩陽,戶松遙,小笠原亞里沙,高山南,濱田賢二,中村悠一,上田祐司,釘宮理惠,入野自由,齋藤千和,磯部勉,古谷徹,藤田淑子,恒松步,根谷美智子,川島得愛,白鳥哲,梅津秀行,早水理沙,佐藤有世,松本保典,置鲇龍?zhí)?谷口節(jié),小室正幸,白石涼子,游佐浩二,小形滿,古島清孝,清水美智子,奈良徹,星野貴紀,佐藤健輔,廣田詩夢,勝地涼【故事簡介】利翁茲·奧馬克與天人的戰(zhàn)斗以真正的改革者剎那·F·清英等人的勝利拉上了帷幕。獨立治安維和部隊A-Laws解體，世界終于走向了和平。這樣過了兩年，西歷2314年，表面上消失了的天人為了防止戰(zhàn)爭發(fā)生仍然在暗處活動著，這時，新的戰(zhàn)爭打響了信號。再次集結(jié)起來的高達駕駛員們乘坐著新式高達，開始了戰(zhàn)斗！【STAFF】企畫：sunrise原作：矢立肇、富野由悠季腳本：黑田洋介人設(shè)原案：高河弓動畫人設(shè)：千葉道德機體設(shè)定： 海老川兼武、柳瀨敬之、福地仁、鷲尾直廣、寺岡賢司、中谷誠一、大河原邦男動畫機體設(shè)定： 中谷誠一美術(shù)設(shè)定：須江信人（KUSANAGI）美術(shù)監(jiān)督：若松榮司（KUSANAGI）色彩設(shè)計：手島明美（Wish）音響監(jiān)督：三間雅文攝影監(jiān)督：葛山剛士（旭Production）旁白：古谷徹制作人：池谷浩臣（sunrise）、佐々木新（sunrise）監(jiān)督：水島精二制作：創(chuàng)通、sunrise
長春花園
趙胤熙,金周靈,許棟元,鄭仁謙昭熙（趙胤熙 飾）的幸福家庭一夕變調(diào)，不僅目睹丈夫昌秀（許棟元 飾）在眼前上吊，腹中寶寶也不幸流產(chǎn)。尚未走出喪偶傷痛的她不顧姐姐惠蘭（金姝憐 飾）勸阻，搬到丈夫留給她的一棟郊區(qū)花園別墅，但昭熙入住后，發(fā)現(xiàn)這棟房子充滿揮之不去的恐懼詭異感，仿佛有某種毛骨悚然的存在正在詛咒著自己，隨著駭人命案接二連三發(fā)生，這棟別墅的秘密似乎也被慢慢揭開…
尤哈
薩卡里·庫斯曼嫩,卡蒂·奧廷寧,安德烈·維爾姆斯,馬庫·佩爾托拉尤哈（薩卡里·庫斯曼嫩 Sakari Kuosmanen 飾）和瑪利亞（卡蒂·奧廷寧 Kati Outinen 飾）是一對生活在幸福和平淡之中的老夫少妻，兩人住在他們經(jīng)營的農(nóng)場里，離群索居不問世事。一天，一個名叫辛麥卡（安德烈·維爾姆斯 André Wilms 飾）的男人來到了農(nóng)場，他的車拋錨了。善良的尤哈邀請辛麥卡在農(nóng)場過夜，哪知道就此為自己找了個麻煩?！ ≡瓉恚聋溈ㄊ且粋€油嘴滑舌的花花公子，他花言巧語誘惑和哄騙了瑪利亞，最終，瑪利亞決定和辛麥卡私奔。然而，來到了大城市后，辛麥卡才露出了自己的真面目，他將瑪利亞賣到了一家妓院里替自己工作。當尤哈得知了瑪利亞的近況后，他決定向辛麥卡尋仇。
異形怪胎 2
Michele Greene,Robin Curtis,Scott Valentine一個邪惡的生育實驗創(chuàng)造了一代扭曲的孩子。 一個無情的女人在破壞這些突變的嬰兒之前已經(jīng)做好了這件事，摧毀了這個世界！ 一個母親和她唯一的朋友在愛之間被撕毀了這個變形的人的排斥，并準備為了生存而戰(zhàn)，但這個寶寶不需要愛。 它被編程為不惜一切代價生存。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster