偷情寶鑒：唐伯虎

★ 8.7 播放：80萬(wàn) 更新：2026-05-06

一天唐伯虎與好友到佛寺游玩，在寺內(nèi)巧遇愛(ài)妻秋香及國(guó)師夫人，虎因垂涎美色激怒秋香，秋香為避開(kāi)虎便往找玉珠，怎料竟撞破玉珠與方丈禪師正在鬼混，回府后玉珠怕秋香告知國(guó)師，便設(shè)計(jì)陷害秋香...

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一天唐伯虎與好友到佛寺游玩，在寺內(nèi)巧遇愛(ài)妻秋香及國(guó)師夫人，虎因垂涎美色激怒秋香，秋香為避開(kāi)虎便往找玉珠，怎料竟撞破玉珠與方丈禪師正在鬼混，回府后玉珠怕秋香告知國(guó)師，便設(shè)計(jì)陷害秋香...

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執(zhí)法記錄

兩名警察在出警處理一樁家庭糾紛時(shí)，不慎釀成了一起槍擊意外。為了避免成為輿論的眾矢之的，他們選擇聯(lián)手掩蓋真相。隨著事態(tài)逐漸失控，他們才驚覺(jué)——監(jiān)視他們的，遠(yuǎn)不止現(xiàn)場(chǎng)的攝像頭…

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

開(kāi)心勿語(yǔ)

　　梅家四姐妹父母早亡，多虧大姐大香（梅艷芳 飾）獨(dú)立經(jīng)營(yíng)點(diǎn)心店，妹妹二香（柏安妮 飾）、三香（陳加玲 飾）和四香（袁潔瑩 飾）才能順利完成學(xué)業(yè)，出落成開(kāi)朗可愛(ài)、美麗動(dòng)人的大姑娘。三個(gè)妹妹吸引來(lái)無(wú)數(shù)的追求者，她們也各自找到了心儀之人。然而梅家有個(gè)不成文的規(guī)定，只有大姐出嫁后三個(gè)妹妹才能順序出嫁，偏偏大香不重儀表，脾氣又壞，男人們唯恐避之不及，這可愁壞了三個(gè)愁嫁的女孩。為了讓姐姐早日找到如意郎君，她們和各自的男友商量幫大香物色一個(gè)合適的對(duì)象?！　∪眯∧腥嗽畈牛ㄔ緜?飾）被女友愛(ài)絲（吳君如 飾）拋棄，傷心欲絕之時(shí)，他被三姐妹找來(lái)追求冰山美人大香……