劇情簡介
勞麗(弗洛倫絲·格林暫無內(nèi)容Florence暫無內(nèi)容Guérin暫無內(nèi)容飾)和丈夫科爾比(盧恰諾·巴爾托尼暫無內(nèi)容Luciano暫無內(nèi)容Bartoli暫無內(nèi)容飾)結婚多年,這些年里,表面幸福美滿的勞麗其實苦不堪言,因為科爾比是一個有著變態(tài)性癖的男人,在科爾比的折磨之下,勞麗對科爾比的愛和忠誠漸漸消耗殆盡。
為你推薦
瓢蟲少女特別篇:巴黎故事
他們來自一個一切都顛倒的平行宇宙:瓢蟲和黑貓的擁有者,暗影瓢蟲(ShadyBug)和黑爪(Claw Noir),是惡棍,而蝴蝶的擁有者,赫斯佩利亞(Hesperia),是一個超級英雄。瓢蟲(Ladybug)和黑貓(Cat Noir)將不得不幫助赫斯佩利亞抵御他們邪惡的雙胞胎的攻擊,并阻止他們奪取蝴蝶奇跡(Butterfly Miraculous)。我們的英雄們能否也幫助赫斯佩利亞并讓暗影瓢蟲和黑爪成為更好的人呢?
骯臟的小把戲
迪恩·凱恩,Christie Burson,邁克爾·馬德森麥可(狄恩肯恩飾)在路上搭載了年輕性感的正妹(克莉絲汀波森飾),麥可原先認為漫漫公路有正妹相伴艷福不淺,自以為遇上了豔遇的他,卻不知道自己即將陷入一連串的陰謀及殺機,一趟沒有終點的旅程即將展開… 故事描述一個男人在路途中載了一位年輕的女人,原來只是好心借人搭便車,結果男主人公卻發(fā)現(xiàn)自己陷入了一場可怕的午夜夢魘…… If she looks too good to be true, then she absolutely is. Just ask Michael Anderson (Dean Cain), a gullible film editor who picks up a sexy young hitchhiker (Christie Burson) in the Arizona desert. After the most thrilling one night stand of his life, Michael becomes embroiled in a twisted love con involving a sadistic crime boss (Michael Madsen), a lonely henchman, and a thieving bank manager. Trust isn't just a bitch, it's a dirty little trick! A crime bosss money is missing and he wants it back by any ay means. The beautiful hitchhiker has it and wants to make the getaway. Alexander "Sasha" Shulgin is the scientist behind more than 200 psychedelic compounds - including MDMA, more commonly known as Ecstasy. Considered to be one of the greatest chemists of the 20th century, Sasha's vast array of discoveries have had a profound impact in the field of psychedelic research, making him a subject of fascination and controversy among fellow scientists and a folk hero to recreational users of psychedelics. Dirty Pictures uncovers the lifework of Dr. Shulgin and takes viewers inside his Northern California home where he lives with his wife of 40 years and continues to carry out experiments in a makeshift laboratory. Director étienne Sauret likewise delves into the broader world of psychedelic research - where the fields of chemistry, neuroscience and philosophy intersect - and investigates whether or not this particular field could aid in solving the deepest mysteries of the human mind.
連環(huán)殺手芬斯特
Amanda Evans,布里頓·韋伯,布賴恩·安東尼·威爾遜A journalist who writes about a notorious serial killer, Finster, leaves the city for a more peaceful life but soon learns violence has no boundaries.
穿普拉達的女王2
梅麗爾·斯特里普,安妮·海瑟薇,艾米莉·布朗特,斯坦利·圖齊,賈斯汀·塞洛克斯,西蒙娜·阿什利,肯尼思·布拉納,劉玉玲,翠茜·索姆斯,凱萊布·希倫,B·J·諾瓦克,蒂波·費德曼,沈雨田,帕特里克·布拉莫爾,蕾切爾·布魯姆,Lady Gaga,寶琳·查拉梅影片直面數(shù)字時代時尚行業(yè)的迭代浪潮,當曾經(jīng)指引潮流的時尚圣經(jīng)《Runway》雜志遭遇前所未有的生存危機,“時尚女魔頭”米蘭達(梅麗爾·斯特里普 飾)與曾經(jīng)的“職場小白”安迪(安妮·海瑟薇 飾)再度聚首,時尚圈地位將經(jīng)歷大洗牌——昔日的助理艾米莉(艾米莉·布朗特 飾)權力進階成長為奢侈品集團高管;安迪也成為獨當一面的職場強者。從各自為戰(zhàn)到并肩破局,從過去“被支配”到“掌控話語權”,角色的身份轉變與立場碰撞,更映照出女性在職場成長自我抉擇中的蛻變與力量,啟發(fā)人們重新去探尋關于夢想、權力與自我的人生命題。
狗舍
丹尼·戴爾,諾埃爾·克拉克,埃米爾·馬爾娃,李·恩格里比,Keith-Lee Castle,克里斯蒂娜·科爾,特里·斯通,尼爾·馬斯克爾,埃米莉·布思,斯蒂芬·格拉漢姆,杰西卡-簡·斯塔福德,阿黛爾·秀娃,Zac Mattoon O'Brien,瑪麗·塔姆,比利·穆瑞,艾麗森·卡洛爾,珍娜·古德溫,妮娜·艾爾斯為了幫助好友文斯(斯蒂芬·格拉漢姆 Stephen Graham 飾)度過傷心的離婚,一群好友尼爾(丹尼·戴爾 Danny Dyer 飾)、科勒雷(比利·穆瑞 Billy Murray 飾)、米奇(洛爾·克拉克 Noel Clarke 飾)、馬特(李·恩格里比 Lee Ingleby 飾)等人帶著他前往一偏僻小鎮(zhèn)度假。本以為去的是人間天堂,結果他們卻發(fā)現(xiàn)這里根本就是地獄,因為這里的女人都染上了怪病,會像僵尸一樣襲擊、吃掉所有男人。盡管這些男人平時都是唯唯諾諾的“妻管嚴”,但是面對女僵尸他們絕不手軟,于是一場好好的度假徹底淪為了爺們兒大戰(zhàn)女僵尸的戰(zhàn)爭。
不干了,我開除了黑心公司
福士蒼汰,工藤阿須加,黑木華,森口瑤子,池田成志,小池榮子,吉田鋼太郎北川恵海人氣小說《不干了,我開除了黑心公司》電影化,成島出執(zhí)導,福士蒼汰主演,工藤阿須加、黑木華、小池榮子、吉田綱太郎等在片中出演。講述了青山隆在公司被壓迫精神壓力過大,但被朋友山本的活力感染又恢復了自信,但隆卻得知真正山本三年前就自殺了……
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.