紅心女王
安妮(崔娜·蒂虹TrineDyrholm飾)是一名經(jīng)驗(yàn)非常豐富的律師,擅長(zhǎng)的領(lǐng)域是青少年性侵案。她和丈夫皮特(馬格努斯·克雷佩MagnusKrepper飾)結(jié)婚多年,夫妻兩人之間的感情非常的穩(wěn)定。在外人眼中,安妮是一位事業(yè)和愛情雙豐收的人生贏家。 可是,安妮的生活在皮特和前妻所生的兒子古斯塔夫(古斯塔夫·林德GustavLindh飾)搬來和他們同住的那一刻起崩塌了。古斯塔夫的個(gè)性粗暴而又叛逆,對(duì)安妮這位繼母毫無尊重可言,可就是這樣的針鋒相對(duì)讓安妮的內(nèi)心里蕩漾起了別樣的波紋,在古斯塔夫的身上,她找回了久違的激情。最終,安妮和古斯塔夫之間逾越了倫理道德的紅線,而為了挽救這段關(guān)系給自己的家庭和事業(yè)帶來的毀滅性的破壞,安妮決定利用自己的專業(yè)知識(shí),犧牲古斯塔夫。
劇情簡(jiǎn)介
安妮(崔娜·蒂虹TrineDyrholm飾)是一名經(jīng)驗(yàn)非常豐富的律師,擅長(zhǎng)的領(lǐng)域是青少年性侵案。她和丈夫皮特(馬格努斯·克雷佩MagnusKrepper飾)結(jié)婚多年,夫妻兩人之間的感情非常的穩(wěn)定。在外人眼中,安妮是一位事業(yè)和愛情雙豐收的人生贏家?! 】墒?,安妮的生活在皮特和前妻所生的兒子古斯塔夫(古斯塔夫·林德GustavLindh飾)搬來和他們同住的那一刻起崩塌了。古斯塔夫的個(gè)性粗暴而又叛逆,對(duì)安妮這位繼母毫無尊重可言,可就是這樣的針鋒相對(duì)讓安妮的內(nèi)心里蕩漾起了別樣的波紋,在古斯塔夫的身上,她找回了久違的激情。最終,安妮和古斯塔夫之間逾越了倫理道德的紅線,而為了挽救這段關(guān)系給自己的家庭和事業(yè)帶來的毀滅性的破壞,安妮決定利用自己的專業(yè)知識(shí),犧牲古斯塔夫。
為你推薦
一個(gè)明星的誕生1976
芭芭拉·史翠珊,克里斯·克里斯托弗森,加里·布塞,奧利弗·克拉克,Marta Heflin,莎莉·柯克蘭德,喬安妮林維爾,保羅·馬祖斯基,斯蒂芬·布魯頓,Donnie Fritts,Booker T. Jones,Jerry McGee,比爾·格雷厄姆,麗塔·考里基,托尼·奧蘭多,伊索·阿克瑞恩,羅伯特·英格蘭德,梅迪·諾曼,Susan Richardson本片是同一故事第三度重拍的版本。此片將好萊塢的背景改成今日的搖滾樂壇,男主角原是著名的搖滾樂歌手,而女主角則在小型夜總會(huì)賣藝。影片中有不少熱門插曲,部分片段的鏡頭和表演都不俗,但整體則顯得有點(diǎn)矯揉造作,角色欠缺真正的生命感,不過娛樂性還是維持相當(dāng)水準(zhǔn)。本片曾獲奧斯卡最佳電影插曲金像獎(jiǎng)。
六六大順
李孟武,肖軼,安悅溪,王喳喳,黃一飛,井凌瀟,畢童,提愛民瀕臨破產(chǎn)的老板李大順(李孟武 飾)為逆轉(zhuǎn)絕境,與死磕項(xiàng)目的技術(shù)宅李譜(肖軼 飾)踏上尋“小分子水”之路,臨時(shí)搭擋的組合囧況百出,還沒發(fā)車就透露著熱鬧,并偶遇了身世可憐的少年六六……
放飛旅行團(tuán)
姜河那,金英光,車銀優(yōu),姜泳錫,韓善伙堅(jiān)持到底的瘋狂執(zhí)著者、活力爆棚的樂天派、顏值爆表的潮流DJ志願(yuàn)生、腦洞大開的怪咖,還有直率爆笑的傻大姐——這五位從小一起長(zhǎng)大的死黨,雖然個(gè)性南轅北轍,但卻默契滿點(diǎn)。在友情屆滿24週年的同時(shí),他們終於迎來夢(mèng)寐以求的「人生首次海外旅行」!只是沒想到,這場(chǎng)說走就走的旅程,卻秒變?yōu)碾y現(xiàn)場(chǎng):走失、誤會(huì)、鬧劇不斷升級(jí),他們能否克服重重危機(jī),重新找回彼此?而這場(chǎng)瘋狂之旅的終點(diǎn),會(huì)是一生中的難忘回憶,還是友情的轉(zhuǎn)捩點(diǎn)呢?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
郊區(qū)男孩 3
Kery James,Bakary Diombera Bakary Diombera,Jammeh Diangana...
修女2
泰莎·法米加,喬納斯·布洛凱,斯托姆·瑞德,安娜·帕波維爾,邦妮·阿倫斯,凱特琳·羅斯·道尼,蘇珊娜·伯蒂什,萊昂廷·翁西厄,阿努克·達(dá)爾文·霍梅伍德,彼得·哈德森,塔瑪爾·巴魯克,娜塔莉·薩福蘭,馬克西姆·伊萊亞斯-梅內(nèi)特,帕斯卡·歐貝,亞歷山德拉·詹蒂爾,弗洛倫斯·梅斯泰,瑪歌·波萊爾,維維安娜·莫因,雷納塔·帕爾米涅洛,富爾維婭·帕特里齊亞·奧利維埃里故事發(fā)生在1956年的法國(guó),一名牧師慘遭謀殺,某種邪惡正在散播,艾琳修女(泰莎·法米加 Taissa Farmiga 飾)將再次與鬼修女瓦拉克(邦妮·阿倫斯 Bonnie Aarons 飾)展開正面對(duì)決。
熊出沒·年年有熊
張秉君,張偉,譚笑熊大曾是森林里的“老大哥”,直到一個(gè)不速之客到來,它將自己神力傳給了熊強(qiáng),熊大變成了三人組合內(nèi)能力最弱者。為了改變現(xiàn)狀,他步入了反派陷阱,引發(fā)了毀天滅地的危機(jī)......