周末夫婦

0.3 播放：65萬 更新：2026-05-15
主演： Gi/Dae-ho/(???)/

　　小林和阿紅在大學(xué)時代是一對恩愛情侶，畢業(yè)后各分東國外三級。但多年后，他們恰為一家公司同事，兩人舊情復(fù)燃，盡管他們都已有了愛人。所以他倆決定只做一對「周末夫婦」，但遇到重重阻撓，最后為了對方的幸福，長談并盡情床第性愛淫歡后，決定分手...

播放通道

詳細簡介

　　小林和阿紅在大學(xué)時代是一對恩愛情侶，畢業(yè)后各分東國外三級。但多年后，他們恰為一家公司同事，兩人舊情復(fù)燃，盡管他們都已有了愛人。所以他倆決定只做一對「周末夫婦」，但遇到重重阻撓，最后為了對方的幸福，長談并盡情床第性愛淫歡后，決定分手...

同類推薦

正義救贖

高駿,張敏

莉莉聯(lián)合男友二毛假綁架騙父王總200萬，同伙實為遭她當(dāng)年陷害的前男友大頭，其目的是報復(fù)。交易前夕三方因各懷鬼胎爭斗，王總趕到救下莉莉，參與假綁架者皆因貪欲將面臨法律制裁，警示莫因欲望犯錯。

洗發(fā)水

沃倫·比蒂,朱莉·克里斯蒂,歌蒂·韓,李·格蘭特,杰克·沃登,托尼·比爾,喬治·菲爾特,杰伊·魯賓遜,盧安娜·安德斯,蘇珊娜·摩爾,凱麗·費雪,Ann Weldon,Randy Scheer,Mike Olton,Richard E. Kalk,Ronald Dunas,Hal Buckley,杰克·伯納迪,威廉·卡斯?fàn)?布拉德·德克斯特

 喬治（沃倫·比蒂 Warren Beatty 飾）是一名美容師，經(jīng)過他那雙神奇的手打理過后，所有的女人都會變得容光煥發(fā)。隨著業(yè)務(wù)量的增長，女友吉爾（歌蒂·韓 Goldie Hawn 飾）鼓勵喬治開設(shè)自己的美容院，可是，在這塊寸土寸金的地方，想要擁有自己的一席之地談何容易呢。喬治找到了生意人萊斯特（杰克·瓦爾登 Jack Warden 飾），想要說服他投資自己的美容院，而萊斯特并不知道的是，風(fēng)流成性的喬治，不僅和自己的妻子有不清不楚的關(guān)系，甚至和他的女兒也走的很近。世界上哪有密不透風(fēng)的墻呢，當(dāng)吉爾得知了喬治的這些花邊新聞后，還能夠堅定地站在他身邊支持他嗎？

變態(tài)殺手

喬治娜·坎貝爾,詹姆斯·普雷斯頓·羅杰斯,馬爾科姆·麥克道威爾,洛根·米勒,Grace Dove,艾倫·默克,Joshua Banman,Cassandra Ebner,達倫·馬爾滕斯,辛妮·比斯頓,Nigel Shawn Williams,泰瑞·雷,科比·弗里森,Bailey Chin,Michelle Crossman,Rachel Sheen,凱文·麥金太爾,Robert Nahum,Yan Joseph,Brodie Sanderson

 The story follows a nameless murderer, wearing a nightmarish mask, randomly murdering people across the U.S. in an attempt to secure his passage to hell. A patrolman’s pregnant wife, a fellow police officer, witnesses the killer murdering her husband and seeks to bring his to justice

記憶裂痕：血親幻影

里羅·得萬托,法拉迪娜·穆夫提,馮尼·安格萊尼,Jordan Omar,Nova Eliza,Gambit Saifullah,Tony Merle,Sultan Hamonangan,Henry Manampiring

國際知名微縮畫家Alif遭遇嚴重車禍后失憶，一名老婦人突然現(xiàn)身，自稱是他失散18年的母親。Alif在拼湊破碎記憶的過程中，逐漸發(fā)現(xiàn)母親的身份疑點重重，同時揭開了自己童年、家族與馬林?昆當(dāng)傳說背后的黑暗真相。他必須在身份崩塌與創(chuàng)傷反噬中，直面自己的過去，終結(jié)這場由傳說編織的懸疑迷局。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.