黃色
波多黎各釹青年艾瑪莉絲（羅塞莉桑切斯 Roselyn Sanchez 飾）從小跟隨父親學(xué)習(xí)舞蹈，曾經(jīng)是一名出色舞者的父親如今丅半身癱瘓，再也沒有往日的神采，而艾瑪莉絲在餐館打工度日，無處施展自己的舞蹈才華。父親難以忍受灰暗的現(xiàn)實自殺身亡，艾瑪莉絲的侽友趁機(jī)與她的母發(fā)生了關(guān)系，混亂的家鄉(xiāng)小鎮(zhèn)對艾瑪莉絲沒有了意義，她在朋友的關(guān)懷丅奔赴紐約，希望重新尋到人生的目標(biāo) 對紐約全然陌生的艾瑪莉絲暫住在一位脾氣古怪的黑人詩歌教師家鈡，在反復(fù)的猶豫后，艾瑪莉絲決定到鋼管舞俱樂部工作，她的出色表現(xiàn)博得了持續(xù)的關(guān)注，也引來了一位侽醫(yī)生介入了她的情感世界。艾瑪莉絲的舞蹈夢想開始慢慢升起
即刻觀影
劇情賞析
編輯推薦
奇跡夢之隊
凱萊布·麥克勞克林,加布里埃爾·尤尼恩,斯蒂芬·庫里,妮可拉·考夫蘭,尼克·克羅爾,大衛(wèi)·哈伯,詹妮弗·路易斯,帕頓·奧斯瓦爾特,Jelly Roll,亞倫·皮埃爾,鮑比·李,安德魯·桑提諾,雪莉·可拉,愛德華多·弗蘭科,詹妮弗·哈德森,阿伊莎·庫里夢想成為職業(yè)球手的小山羊威爾，雖然天生身材矮小，卻憑借超凡球技闖入夢寐以求的球隊。然而本以為是夢想起點，沒想到卻是“地獄開局”，這支夢中情隊不僅賽績成績堪憂，隊友還個個都是“人才”。面對來自隊友的質(zhì)疑與對手的嘲諷，他能否用自己的意志點燃球隊，帶領(lǐng)這支落魄之師創(chuàng)造新的奇跡？
養(yǎng)鬼吃人
敖德薩·阿德隆,杰米·克萊頓,亞當(dāng)·費森,德魯·斯塔基,布蘭登·弗林,伊芙·海因德,杰森·萊爾斯,尹金·奧洛倫尼夫,賽琳娜·露,扎卡里·興,基特·克拉克,高蘭·維斯耶克,西婭姆·阿巴斯,普里德拉格·比耶拉克,戈麗察·瑞格迪克,武卡辛·約萬諾維奇,伊沃娜·庫斯圖迪奇,米奧德拉格·米洛瓦諾夫,尼古拉·肯特,凱蒂·戈伊科維奇經(jīng)典恐怖片《養(yǎng)鬼吃人/猛鬼追魂》將拍新版電影，近日定下導(dǎo)演：大衛(wèi)·布魯克納(《黑森靈》《鬼作秀》)?！ ≡嬷v述男子Frank不慎打開了另一個次元，被著名惡鬼“針頭鬼”帶領(lǐng)的魔鬼Cenobites所殺。而多年后，F(xiàn)rank的哥哥Larry帶著妻子Julia，搬到了他已故的媽媽的老宅中，因為一次意外，Larry的血讓Frank的尸體重生，也讓惡鬼降臨……后成了一個系列。新版將從系列第一部開始重啟，據(jù)稱將在忠于原版的基礎(chǔ)上有進(jìn)化?！ pyglass媒體公司打造。Ben Collins和Luke Piotrowski編劇，大衛(wèi)·S·高耶(《蝙蝠俠：黑暗騎士三部曲》《刀鋒戰(zhàn)士》)提供故事并參與制片，這個導(dǎo)演、編劇、制片組合也就是今年圣丹斯電影節(jié)的熱門恐怖片《鬼屋》的班底。
征服者2025
阿克夏耶·坎納,馬達(dá)范,蘭維爾·辛格,桑杰·達(dá)特,阿俊·拉姆鮑,阿哈娜·卡姆拉,莎拉·阿爾瓊,拉詹德拉納斯·祖特施印度頂級間諜阿吉特·多瓦爾（Ajit Doval）在敵方領(lǐng)土上臥底，冒著一切風(fēng)險收集情報并防止重大危機(jī)，鞏固了他作為“印度詹姆斯·邦德”的遺產(chǎn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
惡夢偵相
Yalitza AparicioFollows a man whose pregnant wife gets murdered and despite the police investigation, the truth is unknown. He tries to find what happened, which confronts him with situations of suspense and terror.
翼
克拉拉·鮑,查爾斯·巴德·羅杰斯,理查德·阿倫,喬拜娜·勞斯頓,加里·庫珀故事發(fā)生在第一次世界大戰(zhàn)期間，瑪麗（克拉拉·鮑 Clara Bow 飾）暗戀著英俊的杰克（查爾斯·巴德·羅杰斯 Charles 'Buddy' Rogers 飾），可是杰克的心思卻全部放在了大小姐西爾維婭（喬拜娜·勞斯頓 Jobyna Ralston 飾）身上，無奈西爾維婭亦有她的心上人，那就是富家子弟大衛(wèi)（理查德·阿倫 Richard Arlen 飾）。戰(zhàn)爭爆發(fā)了，大衛(wèi)和杰克投身軍隊為國家效力，在軍中，身為情敵的兩人關(guān)系漸漸緊密，之后成為了摯友。一場激烈的戰(zhàn)役中，大衛(wèi)遭遇了意外，悲痛的杰克決心為朋友報仇。然而，杰克并不知道的是，大衛(wèi)沒有死，他甚至偷到了一架敵機(jī)。正當(dāng)大衛(wèi)喜滋滋地駕駛著敵機(jī)返回營地之時，與為朋友報仇心切的杰克撞了個正著。