激情豪放女

養(yǎng)鬼吃人4

時(shí)間轉(zhuǎn)眼到達(dá)2127年,修老道又從地獄中走了出來(lái),這一次,他發(fā)覺(jué)自個(gè)兒在外宇宙的一艘飛船上,原來(lái)這是Merchant博士的一個(gè)規(guī)劃,他計(jì)劃將地獄之門(mén)永恒的閉合.Merchant博士的祖輩,一個(gè)18百年的七巧板制作商,就是魔方的制作者.固然幾個(gè)百年以往了,但Merchant一家始末為關(guān)閉地獄之門(mén)而盡力盡量.這一次,Merchant博士要在外宇宙將修老道徹底消泯……

你行！你上！

　　這是一對(duì)父子的傳奇歷險(xiǎn)，也是兩個(gè)野心家的一拍即合。從沈陽(yáng)到美國(guó)，從3歲到17歲，彈琴勝似取經(jīng)，八十八鍵多過(guò)八十一難，父子心無(wú)雜念，只管埋頭向前，兩人赤手空拳讓美國(guó)殿堂藝術(shù)精英們刮目相看。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

盛夏假期遇見(jiàn)愛(ài)

　　波比（艾米麗·巴德 Emily Bader 飾）自由奔放，亞歷克斯（湯姆·布萊斯 Tom Blyth 飾）循規(guī)蹈矩，這對(duì)好友看似格格不入，前后相識(shí)已有十年之久。盡管分隔兩地，每年暑假仍會(huì)一起度過(guò)。旁人都看得出來(lái)他們的友情不一般，而當(dāng)兩人終于開(kāi)始思索彼此或許更適合成為情人時(shí)，愛(ài)情與友情之間那條微妙的界線也逐漸受到考驗(yàn)。他們真有可能是天作之合嗎？　　影片根據(jù)艾米莉·亨利的同名暢銷(xiāo)書(shū)改編。

安·李的遺囑

 這部電影設(shè)定在18世紀(jì)的英格蘭，并“靈感來(lái)源”于真實(shí)事件，是一部關(guān)于宗教領(lǐng)袖安·李（Ann Lee）的“史詩(shī)寓言”，安·李是謝克教運(yùn)動(dòng)的創(chuàng)始人，且被她的追隨者宣稱(chēng)為“女性基督”。

燭影危林