我為你狂

★ 0.4 播放：26萬 更新：2026-05-09

本片由金炳興自編自導(dǎo)，林敏怡配樂，金馬影帝艾迪與蔣麗萍主演，為1984年的愛情小品。故事描述，的士司機(jī)艾迪與少女蔣麗萍相愛已久，但艾有神經(jīng)錯(cuò)亂傾向，蔣為消除心理負(fù)擔(dān)，終忍痛分手；后艾竟大鬧蔣家，更斷指示真心，令蔣深為感動(dòng)，終共諧好事。然艾的行為并未因此改進(jìn)，且不務(wù)正業(yè)，令蔣甚為反感；當(dāng)蔣發(fā)覺有孕，趕返家中欲報(bào)喜，卻見艾與一群損友把家弄得一團(tuán)糟，爭(zhēng)執(zhí)間，艾狂性大發(fā)，蔣終告流產(chǎn)，再次離開艾

在線播放

劇情簡(jiǎn)介

本片由金炳興自編自導(dǎo)，林敏怡配樂，金馬影帝艾迪與蔣麗萍主演，為1984年的愛情小品。故事描述，的士司機(jī)艾迪與少女蔣麗萍相愛已久，但艾有神經(jīng)錯(cuò)亂傾向，蔣為消除心理負(fù)擔(dān)，終忍痛分手；后艾竟大鬧蔣家，更斷指示真心，令蔣深為感動(dòng)，終共諧好事。然艾的行為并未因此改進(jìn)，且不務(wù)正業(yè)，令蔣甚為反感；當(dāng)蔣發(fā)覺有孕，趕返家中欲報(bào)喜，卻見艾與一群損友把家弄得一團(tuán)糟，爭(zhēng)執(zhí)間，艾狂性大發(fā)，蔣終告流產(chǎn)，再次離開艾

導(dǎo)演精選

沖繩小芙蓉

　　座落沖繩的「Hotel Hibiscus」，雖然名為酒店，卻是只有一間客房的古舊民宿。里面住著小三女生美惠子和她的家人。美惠子活潑好動(dòng)，每天和朋友一起去探險(xiǎn)。某日，美惠子放學(xué)回家時(shí)，遇到了倒在地上的青年，并把他帶回Hotel Hibiscus…　　導(dǎo)演中江裕司繼《Nabbie's Love》四年后的新作，《Hotel Hibiscus》繼續(xù)以沖繩為舞臺(tái)。電影改編自Nakasone Miiko的同名漫畫，描寫小三女生美惠子的冒險(xiǎn)和成長。飾演美惠子的蔵下穗波是在3千名沖繩小學(xué)生中挑選出來，合演者包括平良Tomi、沖繩民謠歌手照屋政雄、余貴美子等。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

最后的KPI

在一家制度嚴(yán)苛的大公司從事人力資源工作的弗倫，日復(fù)一日面試新員工，觀察他們的生活軌跡。與此同時(shí)，她隱瞞了自己剛懷孕的事實(shí)，在是否將孩子帶入這個(gè)不確定世界的掙扎中，逐漸面對(duì)內(nèi)心的恐懼與矛盾。