楓カレン – Fetish

反防御

　　Two men and a woman circle the globe in a satellite armed with a nuclear device. The third world war breaks out, and a few months later the satellite crashes. They survive the crash but one man gets killed by survivors and the other man gets caught. The woman stays by the remains of the the satellite but is soon caught by evil punks who have taken power.

瘋狂丑小鴨2靠譜英雄

　　丑小鴨成功拯救鳥類王國后回到了鴨子農(nóng)場，在那里他受到了英雄般的待遇，丑小鴨也開始沉迷于這種明星的光環(huán)?！　×硪贿咗B類王國中一場不知名的瘟疫蔓延開來，不少鳥兒都染病不起，天鵝議員們派人前去尋求卡爾騎士的幫助，正巧卡爾騎士意外受傷，只能讓丑小鴨去查明原因，可沒想到在看到瘟疫慘狀時(shí)，丑小鴨情緒崩潰害怕的逃走了，眾人對丑小鴨失望透頂?！　√幼叩某笮▲喴蚕萑肷钌畹淖载?zé)中，他終于重新振作起來，決定和丑小八一起找出病因，卻沒想到被暗中潛伏的加瓦埋伏，奪走了他的力量，還將他困在了枯井之中，在井內(nèi)，丑小鴨找到生機(jī)，見到了鳥類神秘的古代遺跡，也揭開加瓦的秘密。危機(jī)時(shí)刻，丑小鴨及時(shí)趕到激活琉璃鳥之光，再次拯救了鳥類王國。

鬼迷藏

雙雄出擊

東南亞M國，臥底警員昂基潛伏毒窩查“藍(lán)色天堂”配方，遇退伍特種兵哥登。哥登妻子慘喪毒梟坤沙之手、兒子被擄。二人因正義與復(fù)仇聯(lián)手，闖毒巢、救被拐兒童、斗黑警與毒販，歷經(jīng)生死終將坤沙團(tuán)伙擊潰。緝毒信念不滅，兄弟情義滾燙，盡顯邪不壓正的正義力量。

AUNTY當(dāng)網(wǎng)紅

風(fēng)來之所

自父親去世以來，19歲的阿麗莎成了她患有抑郁癥的母親和年幼妹妹的照顧者。她只想逃離自己的責(zé)任以及身邊的痛苦。她最好的朋友梅赫迪（23歲）性格內(nèi)向，患有白癜風(fēng)。盡管他有文憑，卻仍然失業(yè)，這讓他覺得自己對不起家人。兩人都用幽默和想象力來逃避艱苦的生活。梅赫迪講述并繪制超現(xiàn)實(shí)主義的故事，而阿麗莎則盡可能地重新塑造自己的現(xiàn)實(shí)。當(dāng)他們得知全國范圍內(nèi)舉辦的一場繪畫比賽可能會改變他們的生活時(shí)，他們偷了一輛車，開始了一場瘋狂的公路旅行。他們的友誼經(jīng)受了考驗(yàn)，他們發(fā)現(xiàn)了突尼斯最好的一面和最壞的一面。他們的希望破滅了，但他們的旅程改變了他們。三個月后，梅赫迪非法移民離開了，因?yàn)榘Ⅺ惿療o法拋下她的家人。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.