影片推薦
捍衛(wèi)時空戰(zhàn)士
雷·利奧塔,蘭斯·亨利克森,斯圖亞特·維爾森,凱文·狄龍,凱文·J·奧康納,伊恩·麥克尼奇,杰克·謝菲爾德,邁克爾·勒納,埃涅·赫德森,Don Henderson求愛反斗星
張艾嘉,陳百祥,張國榮,曹查理破軍X檔案隱身人
白云峰 沐嵐 杜宇航 克拉拉兩個心臟
金宣兒,馬東錫,李清娥,鄭仁基,樸孝朱,申正根她的重生
瑪麗安娜·芳塔娜,喬瓦尼·安扎爾多,Demetra Avincola,Dalila De Marco,洛倫索·吉埃利,Eliana Lupo,Cristiana Raggi,Nicola RignaneseTOKYOMER~移動的急救室~南海任務電影版
鈴木亮平,賀來賢人,菜菜緒,鶴見辰吾,石田百合子,江口洋介,玉山鐵二,高杉真宙,生見愛瑠,宮澤艾瑪同類精選
地震之后電影版
岡田將生,鳴海唯,渡邊大知,佐藤浩市,橋本愛,唐田英里佳,吹越滿,黑崎煌代,堤真一,黑川想矢,井川遙,澀川清彥,津田寬治,錦戶亮,能年玲奈危境交戰(zhàn)
艾米·博特斯,普登絲·布特萊齊,法拉伊·奇古杜在魔鬼門前
娜雅·里維拉,阿什莉·里卡茲,科林·伊格斯菲德鬼貓
黃氏·塞繆爾·安,Thien An,紅桃,Nguyen Thuc Thuy Tien戴夫造了個迷宮
尼克·圖恩,梅拉·羅希特·庫姆巴尼,亞當·布斯奇,詹姆斯·烏爾班尼亞克,弗蘭克·凱提,斯科特·納維,斯蒂芬妮·阿琳,克斯汀·范奈絲,斯科特·克林斯基,蒂莫西·諾德溫德,約翰·赫寧甘,瑞克·歐弗頓,卡米拉·艾爾內斯,德魯·尼加,艾蒂安·??颂?布里特妮·多伊奇,杰西卡·格拉夫斯瑞奇·熱維斯:人生苦短
瑞奇·熱維斯影視排行
在樂響舞動時
蘇拉吉·潘喬里,Isabelle Kaif,Sammy Jonas Heaney她是一位國標舞者,卻在重大賽事的緊要關頭遭遇危機,幸好有位街頭舞者挺身而出,不顧自身過往的傷痛,擔任她的出賽舞伴。
河貍變身計劃
佩珀·柯達,鮑比·莫尼漢,喬恩·哈姆,凱茜·納基麥,戴夫·弗蘭科,愛德華多·弗蘭科,梅麗莎·維亞西諾爾,托馬斯·勞,梅麗爾·斯特里普,瓦妮莎·貝爾,阿帕娜·南切拉,山姆·理查森,小伊塞亞·維特洛克,史蒂夫·波賽爾,艾戈·烏迪姆,妮可拉·布魯姆,凱倫·惠伊,莉拉·劉,埃曼·阿卜杜勒-拉扎克,喬·斯帕諾,羅里·艾倫,迪米特利·馬丁少女梅寶(佩珀·柯達 Piper Curda 配音)偶然借助突破性技術,讓自身意識“跳脫”身體,進入機械動物體內,“變身”為一只活潑靈動的河貍,從而得以潛入動物社群內部,更以“人類思維闖入動物本能”的獨特視角,揭開一場充滿意外與溫情的野外探險。
穿越者之異夢空間
馬文強,寧丹琳,果靜林是一個融合現(xiàn)代科技、維度穿越、動作、喜劇、燒腦等流行元素的美劇式故事。宇宙萬物,存在于不同的時間與空間中,稱之為“時空”,各個時空彼此平行,永不交錯,除非,在兩個平行空間中,出現(xiàn)了兩個完全吻合的斷點...夢是什么?如果夢是時空中的平行線,那現(xiàn)實又是什么? 影片將于2016年2月26日在愛奇藝獨家播映!
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster