劇情簡(jiǎn)介
美軍女兵訓(xùn)練娛樂(lè)版本，為K8經(jīng)典影迷們送上點(diǎn)福利~
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無(wú)情混蛋
肖恩·派特里克·弗蘭納里,Parmish Verma,卡斯帕·范·迪恩,Hasleen Kaur,李綺虹,希妮·史考蒂亞,Alex Bogomolov,艾力克斯·薩哈拉這部動(dòng)作片講述了尼克 (Casper Van Dien) 和里克 (Sean Patrick Flanery) 這對(duì)昔日搭檔的故事。他們?cè)菬o(wú)堅(jiān)不摧的殺手，直到尼克睡了里克的女朋友。多年后，一位新犯罪頭目桑尼·吉爾 (Parmish Verma) 崛起，主宰了他們的犯罪世界。他們以前的老大說(shuō)服他們放下恩怨，再次聯(lián)手完成一樁任務(wù)，酬金為 500 萬(wàn)美元。盡管過(guò)去有嫌隙，為了拿到報(bào)酬，他們還是暫時(shí)擱置了分歧。然而，如果他們不想先死于內(nèi)斗，就必須控制好自己的情緒。
暗金丑島君：完結(jié)篇
山田孝之,綾野剛,永山絢斗,真飛圣,間宮祥太朗,海,最上摩卡,真野惠里菜,仲野太賀,狩野見(jiàn)恭兵,湊莉久,天使萌,槙田雄司,玉城蒂娜,六角精兒,茂呂師岡,安藤政信,八島智人,高橋瑪莉潤(rùn),崎本大海,矢部享佑在物欲橫流的社會(huì)里，高利貸公司CowCow Finance的事業(yè)繼續(xù)蒸蒸日上。然而，隨著某日突然來(lái)訪的，將社長(zhǎng)丑島馨稱呼為“小馨”的中學(xué)同班同學(xué)竹本的出現(xiàn)，丑島的過(guò)去逐漸被揭開(kāi)。丑島與盟友戌亥、得力下屬柄崎和高田不得不面對(duì)來(lái)自知曉丑島過(guò)去故事的最強(qiáng)敵對(duì)者鱷戶三兄弟、與丑島舊恨未了又添新仇的女性高利貸者犀原茜、欲要?dú)绯髰u的十分有手腕的律師都陰以及立場(chǎng)無(wú)法判明的竹本的多重挑戰(zhàn)，CowCow Finance史上最大危機(jī)來(lái)臨……
老人與貓
阿特·卡尼,艾倫·伯斯汀,勒內(nèi)·恩里克斯哈利（ Art Carney 飾）是個(gè)退休教師，終其一生都在為妻女奮斗，住在紐約上西區(qū)的他，一直沒(méi)有為自己追求什么，當(dāng)政府為了興建停車場(chǎng)而決定拆除哈利的房子，他打包行李帶著他最忠心的好友 Tonto 一同展開(kāi)了一場(chǎng)跨越美國(guó)的旅程，他沿途拜訪子女與多年好友，也因此結(jié)識(shí)了許多新朋友...本片由 Paul Mazursky 執(zhí)導(dǎo)，獲得1974年奧斯卡最佳男主角與金球獎(jiǎng)喜劇音樂(lè)類影片最佳男主角。
私生活2025
朱迪·福斯特,維爾日妮·埃菲拉,馬修·阿馬立克,丹尼爾·奧特伊,文森特·拉科斯特,盧安娜·巴杰拉米,索菲·勒?qǐng)D訥爾精神醫(yī)生Lilian Steiner就自己一個(gè)病人的死展開(kāi)了調(diào)查，她相信這是一起謀殺。
誤色
Matthew Gilliam,Lavinia Postolache,Peter Gantenbein,Tanya Thomas,William Frederick Knight,司馬優(yōu)現(xiàn)在是2003年，國(guó)際武器核查員泰德·凱勒（馬修·吉利亞姆）在美國(guó)入侵伊始就在伊拉克工作。在調(diào)查一個(gè)未被發(fā)現(xiàn)的武器藏匿處時(shí)，他發(fā)現(xiàn)了一個(gè)可疑來(lái)源的生物制劑，他很快意識(shí)到這種生物制劑已經(jīng)危及他的生命。撞倒在地，他危險(xiǎn)的軌跡與美麗的國(guó)會(huì)援助伊蓮娜·波佩斯庫(kù)（拉維尼婭·波波拉切）相撞，后者發(fā)現(xiàn)自己被自己的危險(xiǎn)包圍著。他們聯(lián)合起來(lái)，被迫質(zhì)疑一切，同時(shí)努力比那些希望他們沉默的人領(lǐng)先一步。
愛(ài)寵
多米尼克·莫納漢,克塞尼亞·索羅,詹妮特·麥柯迪,達(dá)旺·麥克唐納,內(nèi)森·帕森斯,珍妮特·桑,加里·J·滕尼克利夫,丹尼斯·加西亞,約翰·羅斯·鮑伊,肖恩·布萊克默,艾琳·羅森,阿拉斯代爾·馬丁,哈莫尼·麥克利戈特,瑞秋·魯濱遜《峰回路轉(zhuǎn)》卡里斯陶倫斯執(zhí)導(dǎo)，《魔戒三部曲》多明尼克莫納罕、《黑天鵝》柯賽妮亞索羅主演。BDSM結(jié)合籠女監(jiān)禁題材，驚狂混血出擊，讓我養(yǎng)你一輩子！ 超有愛(ài)心的賽斯在動(dòng)物之家工作，他每天細(xì)心呵護(hù)小動(dòng)物，對(duì)于只有基本工資的日子也甘之如飴。某天她在公車上巧遇學(xué)生時(shí)期的暗戀對(duì)象荷莉，她清新亮麗的氣質(zhì)讓賽斯內(nèi)心中沉寂多年的欲望再次被喚醒?！ ≠愃蛊髨D要拉近與荷莉之間的距離，可是郎有情妹無(wú)意。沒(méi)想到兩人久別重逢的首次見(jiàn)面，荷莉竟然失去意識(shí)，清醒后她發(fā)現(xiàn)自己衣不蔽體，還被關(guān)在動(dòng)物之家地下室的鐵籠之中！愛(ài)到失去理智的賽斯口口聲聲表示會(huì)這么做，一切都是因?yàn)樯類?ài)著荷莉。然而，被受困籠中的荷莉也不是省油的燈，各懷鬼胎的兩人隨即展開(kāi)驚悚離奇的對(duì)峙…… 經(jīng)典的貓捉老鼠游戲，刻畫出爾虞我詐的主從之戰(zhàn)。究竟誰(shuí)是主人、誰(shuí)是寵物，不到最后誰(shuí)也不知道！
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.