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同款熱播
詭愛
辛芷蕾,成毅,于毅,葉熙祺,張哲瀚,何珮瑜,邢岷山著名電臺女主播蕭瀟雅（辛芷蕾 飾）在結(jié)婚前七天，因親眼目睹名作家未婚夫李明軒與前女友許嘉雯（何佩瑜 飾）偷情，蕭蕭雅忍受不了背叛出軌的傷痛而自殺，幸被搶救復(fù)生，男友李明軒卻墜樓身亡……是自殺還是他殺還沒有揭曉真相，李明軒的前女友許嘉雯卻又死于非命，李明軒的弟弟李明炎（張 哲瀚 飾）一直對哥哥的死覺得離奇，經(jīng)調(diào)查發(fā)現(xiàn)偷情背叛事件出自許嘉雯和薛威（于毅 飾）策劃的，在真相還沒有大白前，薛威也相離奇死亡……誰是幕后真兇？是陰陽兩隔的戀人的瘋狂復(fù)仇？是橫刀奪愛者的殺人滅口？還是宿命在愛情開始的一刻早已注定？
超級黑暗時代
歐文·坎貝爾,查理·塔漢,伊麗莎白·卡布奇諾,馬克斯·塔利斯曼,索耶·巴斯,艾米·哈格里夫斯,安德亞·雷諾克斯,Ethan Botwick,Philip H. Ashley,Justin Rose,Kortnee Rumph,Samantha Jones,Anni Krueger,Jeffrey Alan Solomon,Carl Arcilesi故事發(fā)生在上世紀(jì)90年代的一個美國小鎮(zhèn)上。扎克和喬西從童年時就是最好的朋友，他們每天一起騎車上下學(xué)，放學(xué)后一起玩耍，甚至喜歡上同一個女孩。然而平靜的生活在某天下午被徹底打破了。聚會因大麻而失控，朋友達(dá)里爾在教室里失血過多身亡，男孩們恐慌無措地要彼此發(fā)誓保密，扎克簡單的生活仿佛被撕開了一道巨大的口子，整日被罪惡感壓迫地喘不過氣，喬西則索性不再上學(xué)，甚至不再走出家門一步。曾經(jīng)密不可分的兩個男孩在數(shù)日后便產(chǎn)生了不可逾越的鴻溝……
尼諾
西奧多·佩爾蘭,威廉·勒布吉歐,莎樂美·德瓦斯,讓娜·巴利巴爾,卡米莉·拉瑟福德,埃斯特爾·梅耶爾,維克圖瓦爾·杜布瓦,馬修·阿馬立克,Pascale Oudot,Ma?l Besnard,Elodie Roy,Amaury Arboun,利森·丹尼爾,Charlotte Lainé,Balthazar Billaud,艾爾莎·布尚,Quentin Gouget,Alexandre Desrousseaux,Mounir Belhidaoui,Lola Felouzis距離人生重大考驗只剩三天，尼諾卻要先完成醫(yī)生布置的兩項關(guān)乎存亡的使命。這場穿越巴黎的救贖之旅，迫使他重新系緊與世界的羈絆，更要直面內(nèi)心深淵。
細(xì)骨小屋
賽迪·斯歐維奧,喬莉·理查德森,尼爾·林波在一場暴風(fēng)雨中，兩個罪犯找到了一個看似廢棄的農(nóng)場小屋避雨。他們挾持了里面的居民，但沒有想到，這個看似廢棄的小屋有著自己的秘密......
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
活著
葛優(yōu),鞏俐,姜武,牛犇,郭濤,張璐,倪大紅,肖聰,董飛,劉天池,董立范,黃宗洛,劉燕瑾,李連義,楊同順根據(jù)余華同名小說改編。富少福貴（葛優(yōu)）嗜賭成性，妻子家珍（鞏俐）屢勸無果后帶著女兒鳳霞離開了他，當(dāng)夜，福貴輸光所有家產(chǎn)氣死父親，被迫靠變賣母親首飾租間破屋過活。一年后，家珍手拉鳳霞懷抱剛出世的兒子有慶回到家中，福貴痛改前非，開始靠演皮影戲過起安份守己的日子。但好景不常，內(nèi)戰(zhàn)時期，福貴被國民黨抓去當(dāng)勞工，一番輾轉(zhuǎn)終回到家鄉(xiāng)與一家人團圓后，鳳霞因病變成啞巴，而在后來的大躍進(jìn)運動和文化大革命中，他雖獲某些小福，逆境卻也一直與他如影相隨。