圣獸學(xué)園

★ 8.7 播放:29萬 更新:2026-05-06

修道院發(fā)生的奇怪且強(qiáng)烈異色的官能故事!神仙與惡魔糾纏的修女在追求母親死因。發(fā)現(xiàn)院長與神甫之間的曖昧關(guān)系 少女多岐川魔矢(多岐川裕美 飾)為追查母親美智子(根岸京子 飾)的死因和失蹤父親的下落,暗中潛入修道院調(diào)查。在這里她結(jié)識了曾在少管所待過的不良少女石田松子(山內(nèi)えみこ 飾)等一干好友,她們情投意合,共同反抗院長小笠原綾(森秋子 飾)和副院長松村貞子(三原葉子 飾)的禁欲壓迫。然而,這卻是一座道貌岸然的修道院,在上帝侍者的外衣掩蓋下,小笠和松村放縱肉欲,從事不乏勾當(dāng),對待異己不惜使用殘酷的虐待手段,甚至奪取對方的性命。 魔矢幾經(jīng)周折終于掌握了修道院背后的秘密,同時也將自己置身危險之中  

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修道院發(fā)生的奇怪且強(qiáng)烈異色的官能故事!神仙與惡魔糾纏的修女在追求母親死因。發(fā)現(xiàn)院長與神甫之間的曖昧關(guān)系 少女多岐川魔矢(多岐川裕美 飾)為追查母親美智子(根岸京子 飾)的死因和失蹤父親的下落,暗中潛入修道院調(diào)查。在這里她結(jié)識了曾在少管所待過的不良少女石田松子(山內(nèi)えみこ 飾)等一干好友,她們情投意合,共同反抗院長小笠原綾(森秋子 飾)和副院長松村貞子(三原葉子 飾)的禁欲壓迫。然而,這卻是一座道貌岸然的修道院,在上帝侍者的外衣掩蓋下,小笠和松村放縱肉欲,從事不乏勾當(dāng),對待異己不惜使用殘酷的虐待手段,甚至奪取對方的性命?!∧笌捉?jīng)周折終于掌握了修道院背后的秘密,同時也將自己置身危險之中  

導(dǎo)演精選

利刃之刀鋒戰(zhàn)士

講述的是程崗所在的特警隊在局長陳海安的運(yùn)籌帷幄下,與黃贊為首的走私犯罪集團(tuán)斗智斗勇,最后將犯罪分子一網(wǎng)打盡的故事。展現(xiàn)了以程崗、沈欣為代表的特警,為破獲文物案和圍剿犯罪分子所作出的犧牲和奉獻(xiàn)。

無歸客

  宋隱(宋洋 飾)奉命調(diào)查“極樂膏”制販案件。辦案期間,他獲得了游俠夜剎、大夫燕云升(陳立農(nóng) 飾)、藥師素娥(姜佩瑤 飾)等人的幫助。他們通過頑強(qiáng)戰(zhàn)斗與勇敢犧牲,撕碎了犯罪頭目白啟年的保護(hù)傘,還一方安定。宋隱繼續(xù)踏上鏟奸除惡的漫漫長路。

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.