禁室培欲愛(ài)的俘虜

評(píng)分：3.5 播放：47萬(wàn) 更新：2026-05-06

由美是一散著“美”的美人，到丈夫－宏太第一次的酒吧遇上著名攝像師Kenny！由美的另類(lèi)美偶然吸引起Kenny的眼神…在Kenny的眼中，他不但拍了由美的引人身段更輕易的得到她的身體。然而Kenny是個(gè)生活散亂的人，由美只不是他在一夜情的其中一人。而由美的想法是除了丈夫以外， Kenny便是她唯一的男人！為了得到Kenny，由美引Kenny到墅中并把他囚禁，在Kenny打算逃走剪去他的腳趾以示戒！承受著身心的威脅，由美的關(guān)心同情。從此Kenny開(kāi)始享受由美的特『性』侍候，亦甚至忘自己是被禁的人……

影片推薦

同類(lèi)精選

影視排行

看不見(jiàn)的女兒

阿登·楊,茱莉亞·莎拉·斯通,Camille Sullivan

　　A man, who years earlier mysteriously abandoned his family and isolated himself in a small northern town, returns for one last chance to reconnect with his troubled daughter. When she goes missing, he risks everything to find her, including exposing the fact that he is becoming invisible.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

另一個(gè)時(shí)間

賈斯汀·哈特雷,阿莉爾·凱貝爾,詹姆斯·凱森·李,阿蘭·皮特魯塞澤維斯基,馬克·瓦雷,杰克·麥克勞克林,塔克·斯莫爾伍德,艾登·洛夫坎普,克里斯?fàn)枴に顾菟?Ethan Cohn,卡爾·T·懷特,Julia Parker,托馬斯·亨尼賽

　　當(dāng)一個(gè)男人愛(ài)上一個(gè)訂婚的女人時(shí)，他決定設(shè)計(jì)一個(gè)計(jì)劃－回到過(guò)去在她遇見(jiàn)她未來(lái)丈夫之前追到她，透過(guò)他的才智與金錢(qián)，配合科學(xué)家教授多年來(lái)的研究，他將回到過(guò)去搶得先機(jī)，一旦回到過(guò)去，他會(huì)發(fā)現(xiàn)愛(ài)總是在他意想不到的地方…

冰風(fēng)暴

凱文·克萊恩,瓊·艾倫,西格妮·韋弗,亨利·科澤尼,托比·馬奎爾,克里斯蒂娜·里奇,伊利亞·伍德,亞當(dāng)·漢拜德,大衛(wèi)·克朗姆霍茨,杰米·謝爾丹,凱特·伯頓,威廉·凱恩,邁克爾·昆普斯蒂,瑪雅·丹齊格,凱蒂·霍爾姆斯,艾莉森·詹尼

1973年美國(guó)康涅狄格州，感恩節(jié)快要到來(lái)，一場(chǎng)冰風(fēng)暴也即將到來(lái)。平凡乏味的家庭生活使中年夫妻厭倦，丈夫本?胡德（凱文?克萊恩飾）一直在引誘鄰居珍妮特?哈珀，而妻子（瓊?艾倫飾）對(duì)丈夫的謊言也早已不耐煩了。兒子保羅（托比?馬奎爾飾）迷戀著學(xué)校里最有人緣的那位女生。女兒溫迪（克里斯蒂娜?里奇）興趣于電視里的水門(mén)事件聽(tīng)證會(huì)。                                                                      　　冰風(fēng)暴的夜晚，夫妻兩個(gè)去朋友家參加一個(gè)雞尾酒會(huì)，雞尾酒會(huì)的一個(gè)重要內(nèi)容是進(jìn)行換房間鑰匙的游戲。在酒會(huì)結(jié)束后，每個(gè)妻子都可以和別家男人結(jié)成新歡。而他們兒子則趕去面對(duì)一場(chǎng)誘惑與考驗(yàn)，女兒正陶醉在同鄰家男孩子的性游戲中……