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劇情簡介
Story about a happily married couple visited by an old friend, who ends up stirring the pot by becoming sexually involved with both the husband and the wife.
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David Koberidze,Otar Nijaradze死亡修女
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艾里爾·布隆茲,伊芙雷特·多,納馬·普雷斯,阿列克謝·謝列布里亞科夫,莎倫·亞歷山大,Pablo Pillaud-Vivien,Idit Teperson,Meir Fenigstein,Amit Narovliansky,Ellie Ohana,Joy Ohana,Noah Lapid Preis,阿薩夫·喬納斯,Shira Shaish,Daria Gilat Brenner,Ron Friedland,Rodia Kozlovski,Rachel Ayalo,Oded Carmi,Muriel Ha沐浴鹽僵尸
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一個(gè)東南亞小鎮(zhèn)中,卷王警察于大海(彭于晏 飾)起早貪黑,努力工作,讓小鎮(zhèn)連續(xù)7年維持0犯罪率。結(jié)果因?yàn)闆]有案子,警察將被全員辭退,“鐵飯碗”成了“塑料碗”,為保住工作,于大海決定和隊(duì)友們一起造個(gè)大案。與此同時(shí),真正的大案正在發(fā)生,前來投奔羅四季(艾倫 飾)的盜墓賊羅浩(周游 飾)、牛大輪(閆佩倫 飾)一家人,盯上了傳說中藏有寶藏的古墓,而這個(gè)古墓就在警局之下......
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天才科學(xué)家大衛(wèi)創(chuàng)造了世界首具擁有高度人工智慧的機(jī)械人亞當(dāng),并邀請(qǐng)當(dāng)紅的科技雜志記者蕎依,進(jìn)入實(shí)驗(yàn)室進(jìn)行一週的近距離專訪。在採訪的過程中,蕎依深受聰明又充滿抱負(fù)的大衛(wèi)吸引,萌生情愫的兩人開始越走越近,而將一切看在眼裡的亞當(dāng),竟產(chǎn)生如人類般的忌妒情緒,行為更變得有些怪異與偏激...
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster