暗殺風(fēng)暴

評(píng)分：2.0 播放：78萬 更新：2026-05-08

影片改編自周浩暉豆瓣高分懸疑小說。 以“審判者”自居的神秘殺手Darker公開挑釁警方，接連發(fā)出“死亡通知單”，收到之人都會(huì)被殘忍處決。為查清真相，爆炸案目擊者黃少平（古天樂 飾）、天才警察羅飛（張智霖 飾）、專案組組長韓灝（吳鎮(zhèn)宇 飾）紛紛入局。Darker究竟是誰？真相不斷反轉(zhuǎn)，驚人的秘密逐漸浮出水面……

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蕾雅·德呂蓋,安娜瑪麗亞·沃特魯梅,阿萊克斯·德斯卡,朱爾斯·德爾薩特,洛朗特·卡普洛托,克萊爾·博德森,索尼婭·貝卡姆,麥克斯·羅賓,阿德利安·迪安娜,米凱萊·莫安娜·內(nèi)德塔尼,亞歷山大·馬托比,杰登·穆約佐羅·馬耶巴,肯娜亞·索瑪,安妮·拉勒芒特,蒙尼亞·杜依布,吉尤利婭·巴爾福羅德,塞德里克·拉克辛,雅典娜·達(dá)納·珀羅斯,卡利姆·奇哈布,寶琳·格雷高利

一如往常，護(hù)理師露西奔走于各個(gè)小兒科病房，BP機(jī)、哭喊聲填滿了她的崩潰日常。但今晚，有個(gè)小孩讓她格外心力交瘁：四歲的亞當(dāng)因營養(yǎng)不良入院觀察，他媽媽海蓓卡執(zhí)意要徹夜守在孩子身旁，偏偏她被法院裁定照顧失當(dāng)，不得長時(shí)間探訪。為了讓拒絕進(jìn)食的亞當(dāng)乖乖吃飯，露西打算破例讓她留下，豈料海蓓卡卻想悄悄偷走亞當(dāng)??

真人快打2

卡爾·厄本,阿德萊恩·魯?shù)婪?杰西卡·麥克娜美,約什·勞森,林路迪,麥卡德·布魯克斯,塔蒂·加布里埃,劉易斯·陳,達(dá)蒙·海瑞曼,黃經(jīng)漢,淺野忠信,喬·塔斯利姆,真田廣之,馬丁·福特,安娜·圖·阮,朱利安·威克斯,戴斯蒙·詹,黃又亮,艾薩克·普瑞斯特,CJ·布隆菲爾德

 過氣好萊塢演員強(qiáng)尼·凱奇（卡爾·厄本 飾）被意外選中，加入一場決定地球命運(yùn)的真人快打。吉塔娜（阿德萊恩·魯?shù)婪?飾）、刀鋒索尼婭（杰西卡·麥克娜美 飾）、卡諾（約什·勞森 飾）、劉康（林路迪 飾）、賈克斯（麥卡德·布魯克斯 飾）、尚宗（黃經(jīng)漢 飾）、雷電（淺野忠信 飾）、避寒（喬·塔斯利姆 飾）、蝎子（真田廣之 飾）等角色也將各顯身手，開啟血漿狂飆的格斗廝殺。

四川好女人

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We don't see the woman on the train moving through Sichuan, just the trees, rivers, lakes and houses passing by the window, vanishing behind the blur of vegetation, segmented by the tunnels.

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster