愛的色放

一塊寶地遭人惦記、一枚軍功章引賊來、十萬現(xiàn)金不翼而飛，夜半老漢離奇昏迷，三名陌生男子橫躺家中。是陰謀？是誤會？層層烏龍背后，深藏的是榮譽執(zhí)念與親情渴望。當(dāng)真相揭開，一切竟源于最樸素的執(zhí)念與最陰差陽錯的誤會……榮譽與親情，最終將如何安放？

　　在法國南部，一位年輕女性對謀殺和身份盜竊的令人毛骨悚然的癡迷將她的生活卷入了混亂之中。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　仿佛永不停歇的連綿之雨，引領(lǐng)著成軍四年半的姬川班前往終點。在一周時間內(nèi)，東京連續(xù)發(fā)生三起作案手法雷同的殺人事件，死者全部隸屬最大黑幫大和會的下屬組織。警方旋即成立搜查總部，組隊四課堅持認定該案件因繼承人之位而起，而姫川玲子（竹內(nèi)結(jié)子 飾）提出質(zhì)疑，導(dǎo)致總部分裂。隨之而來的神秘電話，令玲子將目標(biāo)鎖定在柳井健斗（染谷將太 飾）的陌生男子身上，然而高層卻下令她禁止追查柳井這條線索。絕不隨便屈從強權(quán)的玲子，在菊田和男（西島秀俊 飾）等姬川班伙伴的掩護下展開獨立調(diào)查，在此過程中，柳井不堪回首的過去以及和警方錯綜復(fù)雜的關(guān)系逐漸明朗。而和自稱房地產(chǎn)商人的牧田勛（大澤隆夫 飾）邂逅，使得同樣背負著傷痕的玲子命運發(fā)生轉(zhuǎn)變……　　本片根據(jù)譽田哲也的系列懸疑小說《草莓之夜》改編，為同名電視劇的劇場版。