極度獸性

5.0 播放：65萬 更新：2026-05-10

麗與丹情同姊妹，后麗見業(yè)事上被丹取代而到國外購買高科技蛇血清養(yǎng)顏方法。但麗體內(nèi)血清變種令她四處殺人，督察怡追查兇案覺麗與丹最可疑，更周旋兩女之間，麗設(shè)局令丹含冤吞槍自殺，怡最后發(fā)現(xiàn)麗為兇手，但麗已變成一個耆老年紀老人，慘不忍睹……

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詳細簡介

麗與丹情同姊妹，后麗見業(yè)事上被丹取代而到國外購買高科技蛇血清養(yǎng)顏方法。但麗體內(nèi)血清變種令她四處殺人，督察怡追查兇案覺麗與丹最可疑，更周旋兩女之間，麗設(shè)局令丹含冤吞槍自殺，怡最后發(fā)現(xiàn)麗為兇手，但麗已變成一個耆老年紀老人，慘不忍睹……

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留校聯(lián)盟

保羅·吉亞瑪提,多米尼克·塞薩,達明·喬伊·倫道夫,卡麗·普雷斯頓,布雷迪·赫普納,伊恩·多利,吉姆·卡普蘭,邁克爾·普羅沃斯特,安德魯·加曼,納希姆·加西亞,斯蒂芬·索恩,吉蓮·韋格曼,泰特·多諾萬,達比·莉莉·李-斯塔克,比爾·穆托斯,達斯汀·塔克,胡安妮塔·珀爾,亞歷山大·庫克,利茲·畢曉普,科爾·特里斯坦·墨菲,威爾·薩斯鮑爾

 預(yù)科學校巴頓學院的老師保羅（保羅·吉亞瑪提 飾）不太受歡迎，不管是學生、老師還是校長，都不太喜歡他，他們覺得他浮夸又僵化。在1970年的圣誕假期，保羅留在了學校監(jiān)督無法回家的學生。幾天后，只有一個學生留了下來——一個名叫安格斯的15歲搗蛋鬼，他是一個被不良行為破壞的好學生，總是在被開除的邊緣試探。與保羅和安格斯一起留下的還有學校廚師長瑪麗，一個為特權(quán)階層的兒子們提供服務(wù)的非裔美國婦女，她自己的兒子最近在越南失蹤了。這三個截然不同的失意者組成了一個奇怪的圣誕家庭，在新英格蘭大雪紛飛的兩個星期里，分享著不幸經(jīng)歷，并意識到他們中沒有人感謝自己的過去。

失真的畫

威廉·達福,斯科特·斯比德曼,彼得·斯特曼,克里·杜瓦爾,Samantha MacIvor

　　五年前，一系列模仿名畫場景的連環(huán)殺人案轟動紐約城，警探斯坦（Willem Dafoe 飾）受命調(diào)查此案，然而卻遲遲沒有進展，令其飽受輿論壓力。斯坦以少女克莉斯特（Samantha MacIvor 飾）作誘餌吸引兇手，雖然成功擊斃嫌疑犯艾迪，卻也導(dǎo)致克莉斯特慘遭殺害?！　“弦话甘顾固沟玫骄鸺为劊樌?，不過他的心中始終對遇害少女懷有愧疚，并且此案背后似乎另有隱情。心中承受巨大內(nèi)疚之情的斯坦沉溺酒精，愈加孤僻。五年后，類似案件再次出現(xiàn)，兇手似乎有意以斯坦為目標發(fā)出赤裸裸的挑戰(zhàn)。斯坦不僅要面對這個狡猾且智商極高的對手，更要面對長久以來困擾自己的心魔……

鋼琴之子

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正義救贖

高駿,張敏

莉莉聯(lián)合男友二毛假綁架騙父王總200萬，同伙實為遭她當年陷害的前男友大頭，其目的是報復(fù)。交易前夕三方因各懷鬼胎爭斗，王總趕到救下莉莉，參與假綁架者皆因貪欲將面臨法律制裁，警示莫因欲望犯錯。

好像一切都很糟糕

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Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster