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幸存者1999
格雷格·艾維甘,瑞秋·克勞福德,克勞迪亞·米歇爾森,大衛(wèi)·休萊特,Diego Matamoros,克雷·班奈特,Gene Mack,勞倫斯·貝恩《幸存者》講述了十億年前，外星異種來地球，進(jìn)行各種生物培育，因?yàn)榈貧み\(yùn)動(dòng)劇烈，被火山巖漿淹埋?；臎龅谋睒O科學(xué)探測站內(nèi)，正歡呼石油的到來，鉆臺(tái)無故斷電、礦井噴出神秘的膠體、員工被大卸八塊……頓時(shí)失去控制，當(dāng)站長亞當(dāng)、凱特等反應(yīng)過來，并組織起武裝防衛(wèi)時(shí)，95%的人們成了無辜冤魂，血肉模糊、腦髓迸射；不可抗力的人類浩劫就此爆發(fā)，從北極向全球瘋狂蔓延……
殺出魔鬼鎮(zhèn)
丹尼斯·歐哈拉,艾狄森·蒂姆林,蓋瑞·科爾,斯賓塞·崔特·克拉克,喬舒華·萊納德,維羅尼卡·卡維特,愛德華·赫曼,約翰·威斯利·查特曼,埃德·勞特爾,阿拉貝拉·菲爾德,蘭斯·E·尼克爾斯,斯塔萊特·米亞里奧尼,Morganna May,Dodie Brown,Raiden Integra美聯(lián)社、《生活》雜志等著名媒體都曾報(bào)道過1964年的“月光兇殺案”，當(dāng)時(shí)小鎮(zhèn)墜入一片恐慌，一到黃昏就全鎮(zhèn)戒嚴(yán)，全副武裝的警察上街巡邏。直到三個(gè)月再無襲擊發(fā)生，警察才逐漸撤出。1976年，曾有一部根據(jù)該案件改編的同名影片上映。兩名幸存者描述兇手有六英尺高，頭戴面具，只露出眼睛和嘴巴。 2014年版《殺出魔鬼鎮(zhèn)》中，連環(huán)兇殺再度開始，面具殺手時(shí)隔六十多年重現(xiàn)特克薩卡納，究竟是有人故意模仿，還是有更恐怖的事情暗中醞釀？一個(gè)孤獨(dú)的高中女生，似乎知曉解開這一切的秘密。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鬼裂面
Usamanee Waitayanon,Nathanon Narathanyawirun,Tong Archariya SrithaMay 是一名年輕的建筑師，她剛剛和男朋友 Gun 搬進(jìn)了郊區(qū)的新家，就收到了繼母 Po 的死訊。只有 Po 的女兒 Noon 作證說有人殺害了她的母親，但是似乎沒有任何明顯的證據(jù)。當(dāng) May 決定在家照顧 Noon 時(shí)，Noon 出現(xiàn)了異常癥狀，就像被鬼附身一樣。而 May 自己則因生病而開始無法入睡。Gun 于是請(qǐng) Chok、Sak 和 Master Khom 來幫忙。Master Khom 立刻意識(shí)到她的房子里有過去的“黑魔法”，他要求所有人找出這種邪惡的根源。過去與大師的面部皮膚有關(guān)的不幸事件被同一門派的另一位弟子 Jong Master 移除，這就是所有這些恐怖故事的根源。
愛情背叛
莎拉·鮑爾,安德魯·富爾茨,馬克·赫爾曼一場車禍奪走了萊利的生命，她近乎完美的生活突然中斷，留下一個(gè)沒有母親的家庭。隨著調(diào)查的開始，萊利的妹妹凱莉發(fā)現(xiàn)這場車禍可能不是她妹妹死亡的真正原因，案件發(fā)生了奇怪的轉(zhuǎn)折。
混凝土烏托邦
李炳憲,樸敘俊,樸寶英,金善映,樸持厚,羅哲,金度允,南鎮(zhèn)福,金學(xué)善,樸周勇該片以大地震后荒廢的首爾為背景，講述聚集在此地唯一剩下的“皇宮公寓”里的生存者們的故事。