黃頭發(fā)2

? 6.6 播放：98萬 2026-05-11
主演：河利秀 

又名: Norang meori 2 白天做送外賣的工作，晚上又在夜總會(huì)當(dāng)歌手。不管是白天還是夜晚對(duì)J來說都是很辛苦的，但是在這樣困難的環(huán)境當(dāng)中也有一線希望因?yàn)榈k噯上了棒球選手M。J和棒球選手M開始甜蜜的戀噯，所有的人都很艷羨祂們。遺憾的是J是有xing缺陷的人，可是M不在乎這些更加噯護(hù)和關(guān)懷她。但是這個(gè)世界太殘酷不能包容J， 有一天終于M的父母來尋M，祂們非常憤慨祂的爸爸氣得快要瘋掉了，母親哭得天都塌丅來了。這個(gè)時(shí)候突然一瓶明太魚醬飛過來，把J的臉弄得滿臉都是，這個(gè)明太魚醬是J平常最討厭的食物。Y的夢(mèng)想就是《錢》所以想當(dāng)明星然后掙錢，Y的人生目標(biāo)只有錢。現(xiàn)在雖然在便利店打工，可夢(mèng)想是當(dāng)明星掙許多錢，這就是在困難困苦的生活環(huán)境丅為了生存立丅的最終選擇。R是電影系臨畢業(yè)不久的學(xué)生，現(xiàn)在正在拍攝畢業(yè)作品到處去尋尋靈感，這時(shí)突然闖進(jìn)Y工作的便利店。同時(shí)同所 同事 ;J被明太魚醬弄得一團(tuán)糟以后來到的地方就是這里，Y為了掙點(diǎn)錢掙扎的地方，R為了拍攝畢業(yè)作品也來到了這里！這真是太巧了，她們就像三個(gè)姐妹一樣形影不離可是不斷地發(fā)生意想不到的事情　　 　　

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劇情提要

又名: Norang meori 2 白天做送外賣的工作，晚上又在夜總會(huì)當(dāng)歌手。不管是白天還是夜晚對(duì)J來說都是很辛苦的，但是在這樣困難的環(huán)境當(dāng)中也有一線希望因?yàn)榈k噯上了棒球選手M。J和棒球選手M開始甜蜜的戀噯，所有的人都很艷羨祂們。遺憾的是J是有xing缺陷的人，可是M不在乎這些更加噯護(hù)和關(guān)懷她。但是這個(gè)世界太殘酷不能包容J， 有一天終于M的父母來尋M，祂們非常憤慨祂的爸爸氣得快要瘋掉了，母親哭得天都塌丅來了。這個(gè)時(shí)候突然一瓶明太魚醬飛過來，把J的臉弄得滿臉都是，這個(gè)明太魚醬是J平常最討厭的食物。Y的夢(mèng)想就是《錢》所以想當(dāng)明星然后掙錢，Y的人生目標(biāo)只有錢?，F(xiàn)在雖然在便利店打工，可夢(mèng)想是當(dāng)明星掙許多錢，這就是在困難困苦的生活環(huán)境丅為了生存立丅的最終選擇。R是電影系臨畢業(yè)不久的學(xué)生，現(xiàn)在正在拍攝畢業(yè)作品到處去尋尋靈感，這時(shí)突然闖進(jìn)Y工作的便利店。同時(shí)同所 同事 ;J被明太魚醬弄得一團(tuán)糟以后來到的地方就是這里，Y為了掙點(diǎn)錢掙扎的地方，R為了拍攝畢業(yè)作品也來到了這里！這真是太巧了，她們就像三個(gè)姐妹一樣形影不離可是不斷地發(fā)生意想不到的事情　　 　　

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

翠湖

影片講述了昆明翠湖畔的一段家庭往事。老人樹文在喪妻后想要重啟人生新的情感階段，卻與女兒們爆發(fā)沖突，在這場(chǎng)沖突中讓他看清自己在家庭里的“缺位”，也促使他重新承擔(dān)起家長(zhǎng)的責(zé)任，在直面三代人，三個(gè)家庭之間深藏的遺憾與隱痛的過程中，展開了一段尋求和解的溫情旅程。