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劇情提要
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活著
葛優(yōu),鞏俐,姜武,牛犇,郭濤,張璐,倪大紅,肖聰,董飛,劉天池,董立范,黃宗洛,劉燕瑾,李連義,楊同順靚女差館
劉嘉玲,陳奕迅,林曉峰,王晶,張達明,李珊珊,何嘉莉,苑瓊丹,馬德鐘,李菲謊言與偷竊
艾米麗·拉塔科斯基,西奧·詹姆斯,弗雷德·邁拉麥德,艾邦·摩斯-巴克拉赫,小伊塞亞·維特洛克,伊萬·漢德勒,約翰·蓋汀斯我的同桌是極品2
赫子銘,苑喬,阿仁困惑的浪漫2
Monika M. , Mark Reeder , Lena Braun我能有個見證人嗎
Keira Jang,吳珊卓,里斯·普雷斯利,Elmira Bashash,喬爾·歐萊特,Zaa Nkweta,Shaz Far,Casey Kenneth Wright,森田友希,本杰明·拉特納,派崔克·蓋勒,Naika Toussaint,安德烈·安東尼,多米尼克·盧基·馬泰爾,奧斯卡·查克,裘德·威爾遜,Cassandra Sawtell,特德拉·羅杰斯,Ally Battaggia,Kymo Van Oers膚色
喬納森·塔克,杰克遜·羅伯特·斯科特,丹妮爾·麥克唐納,朗尼·查維斯,賈里德·戴,山姆·狄龍,邁克爾·維拉爾同系列推薦
心碎往事
安東·葉利欽,羅賓·威廉姆斯,蒂婭·里歐妮,埃里卡·巴杜,大衛(wèi)·杜楚尼,弗蘭克·蘭格拉,澤爾妲·威廉斯,瑪吉麗·阿馬蒂,奧加·索斯諾夫斯卡,奧蘭多·瓊斯,Bernie Sheredy,斯蒂芬·斯皮內(nèi)拉,愛麗絲·德拉蒙德,哈羅德·卡蒂耶,馬克·馬戈利斯探子阿堅:無頭奇案
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尼古拉斯·凱奇,約翰·庫薩克,凡妮莎·哈金斯,凱瑟琳·拉·納莎偉大的覺醒
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擒兇記
本(詹姆斯·斯圖爾特 James Stewart 飾)和喬(桃麗絲·戴 Doris Day 飾)是一對感情十分要好的夫妻,帶著兒子漢克(Christopher Olsen 飾),一家三口來到了風景如畫的摩洛哥度假。一次偶然中,本和喬結識了名叫路易斯(丹尼爾·蓋林 Daniel Gélin 飾)的男人,他們在一起相處十分融洽?! 〔恍业氖虑榘l(fā)生了,路易斯被兇手刺殺身亡,臨死前,他透露了一個神秘的名字——“安伯斯·查培”,并且告訴本和喬,有人正在倫敦執(zhí)行一項秘密的暗殺行動,在得知了這個驚天秘密后,本和喬來到了倫敦。暗殺者自知行動泄露,為了取得最后的成功,他們不擇手段綁架了漢克,可即便如此,也沒能動搖本和喬聲張正義的決心。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster