超性 Supersex (2024)
《超情色》由馬特奧·羅韋爾、弗朗西斯·卡羅西尼和弗朗西絲卡·馬佐萊尼執(zhí)導(dǎo)，靈感源自洛可·希佛帝的真實生活。這是一個貫穿他童年生活的深刻故事，講述了他的家庭、他的出身、他與愛情的關(guān)系，并揭示了洛可·塔諾是如何以及何時從奧托納的一名普通男子變成了洛可·希佛帝 — 世界上最著名的色情男星。 亞歷桑德羅·博爾吉飾演洛可·希佛帝，杰絲敏·特麗卡飾演露西婭（一個虛構(gòu)的女性角色，代表了羅科一生中與之有過關(guān)系的大多數(shù)女性的綜合體），阿德里亞諾·吉安尼尼飾演洛可同父異母的兄弟托馬索，薩爾·南尼飾演年輕時的洛可。其他演員還包括恩里科·博雷洛（加布里埃萊）、文森佐·內(nèi)莫拉托（里卡多·斯基奇）、加亞·梅塞克林格（莫阿納）、雅德·佩德里（西爾維）和琳達·卡里迪（蒂娜）。
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美滿姻緣
瓊·艾倫,安東尼·拉帕格利亞,克里斯汀·康奈利,史蒂芬·朗,Theo Stockman,Brady Bryson,提莫斯·J·考克斯,Jason Testa,Gregg Micheals,Pun Bandhu,Brian Patrick Murphy,羅伊·哈特拉姆,Kris Lundberg,Stephen Sapienza,Will Rogers與丈夫（安東尼·拉帕格利亞飾）慶祝完結(jié)婚25周年后不久，丈夫出差在外，達西（瓊·艾倫）在車庫找電池，卻無意中發(fā)現(xiàn)丈夫就是新聞中說的“臭名昭著的連環(huán)殺手比蒂”?！ ∮捌男≌f藍本是金2010年出版的短篇小說集《暗夜無星》（Full Dark, No Stars）中的一篇。金在接受采訪時說，小說的靈感來自于2005年被捕的美國“BTK連環(huán)殺手”丹尼斯·雷德（Dennis Rader），他就有一位結(jié)婚三十四年的妻子寶拉（Paula），對他的殺人行為毫不知情。金表示，小說探討的是，人與人之間永遠不可能完全了解，即使是最愛的人也一樣。
百年好合
鄭秀文,古天樂,李冰冰,林雪,韓君婷,張錦程,夏雨,顏穎思富豪洪飛虎（古天樂 飾）因怪病找到峨嵋派掌門王鳳（鄭秀文 飾），她對飛虎的生性傲慢毫無好感，于是用盡各種奇怪的方法治療飛虎。王鳳的師姐李莫愁（李冰冰 飾）突然出現(xiàn)，并揚言要鏟除峨嵋派。未免傷及無辜，王鳳盡快醫(yī)好了飛虎。知道了王鳳的惡作劇之后，飛虎憤然離開了。 為了與師姐決戰(zhàn)，王鳳急需練好“傷心斷腸劍”，但從未經(jīng)歷傷心之苦的她 無法領(lǐng)悟“百年好合”這一招式的要領(lǐng)，王鳳在眾人的勸說下決定求助與飛虎。飛虎不計前嫌，用盡辦法讓王鳳傷心，練好招式。王鳳又能否成功？
正人君子2024
崔貞允,許伊在,安喜延,安世珉達到合格率99%，顧客滿意度100%的自薦書代筆人寶允，聲名大噪的她本人卻在為公務(wù)員考試而煩惱，在超市打工的她每天都過得非常不如意。為了就業(yè)被意想不到的事件所糾纏。寶允的人生漸漸陷入無法控制的困境
媽媽：來自Neraka的祝福
漢娜·阿爾·拉希德,卡莉斯塔·阿魯姆,Nova Eliza普特里一直只知道她的母親薩里是一位才華橫溢的塔羅牌占卜師，深受眾多高官顯貴和商界名流的信賴。她對薩里幾乎沒有任何私人記憶，直到薩里在一場事故中喪生。有一天，普特里收到了一條手機短信——來自她已故母親的號碼。起初，她以為這只是個惡作劇。但漸漸地，這些短信開始指引她未來的命運——而這些命運真的發(fā)生了。普特里慢慢意識到，這些短信確實是她母親發(fā)來的。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
怖谷鳥
亨特·莎弗,賈恩·布盧特德,馬爾頓·索克斯,杰西卡·亨維克,丹·史蒂文斯,米拉·劉,格蕾塔·費爾南德斯,波斯·曼達尼,阿斯特麗德·伯格斯-弗瑞斯貝, 康拉德·辛格,卡琳·莫羅17歲的女孩Gretchen（亨特·莎弗 Hunter Schafer 飾）被迫與家人一起搬到一個度假勝地，而那里并不像看上去的那樣平靜。