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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
告別武器
海倫·海絲,加里·庫珀,阿道夫·門吉?dú)W,瑪麗·菲利普斯,杰克·拉魯,布朗什·弗雷德里克,瑪麗·福布斯,吉爾伯特·埃默里,愛麗斯· 亞岱爾,亨利·阿爾梅塔,赫爾曼·賓 ,Agostino Borgato,Robert Cauterio,瑪塞勒·科爾代,基諾·科拉多,George Humbert,威廉·歐文,多麗絲·勞埃德,弗雷德·馬拉泰斯塔,保羅·波爾卡西,Tom Ricketts,Frederick Sullivan亨利（加里·庫柏 Gary Cooper 飾）是一位熱血沸騰的青年，戰(zhàn)爭爆發(fā)了，他自愿前往意大利，成為了一名救護(hù)車駕駛員。在意大利，亨利結(jié)識了名為凱瑟琳（海倫·海絲 Helen Hayes 飾）的美麗護(hù)士，之后，亨利因為受傷被送進(jìn)了米蘭醫(yī)院，在那里，他和凱瑟琳重逢了。住院期間，亨利和凱瑟琳墜入了情網(wǎng)，凱瑟琳的腹中亦懷上了亨利的骨肉。傷愈之后，亨利回到了戰(zhàn)場，卻發(fā)現(xiàn)我軍的士氣大跌，處處彌漫著慘淡的氣氛。上司開始大量處決涉嫌逃跑的士兵，亨利亦難以幸免，他僥幸逃脫了自己人的槍子，他決定找到凱瑟琳，兩人逃離戰(zhàn)場，去過他們與世無爭的日子。然而，意大利警察的追捕緊隨其后，兩人踏上了逃亡的旅途。
自殺俱樂部
Klariza Clayton ,Kate Lister,Adam NewingtonLocked in her flat for several years, a reclusive young woman stumbles upon a mysterious web community. According to an urban myth, the Suicide Club grants death to those wishing for it. Unless these "cyber suicides" are actually murders.
立體聲
于爾根·福格爾,莫里茲·布雷多,佩特拉·施密特-夏勒,格奧爾格·弗里德里希,賴納·博克艾瑞克經(jīng)營一家摩托車修理店，和自己的女朋友以及她的年幼女兒幸福的生活在一起，然而這種平靜的生活被一個名叫亨利的陌生人打破了，艾瑞克過去的黑暗秘密陰影開始籠罩這個家庭。我們真的可以完全告別過去嗎？我們可能已經(jīng)改變了，但是有些過去的行為卻繼續(xù)如影隨行。 在《立體聲》中，一個男人充滿熱血、沒有絲毫膽怯的贖罪行為讓我們印象深刻。
惡鬼病毒
村重杏奈,太田將熙,桑山隆太,華村飛鳥,吉田伶香,角由紀(jì)子,鳥之海凪紗,田中要次改編自二宮敦人的超人氣恐怖小說《惡鬼病毒》，講述YouTuber內(nèi)川智樹帶著他的朋友日名子、颯太和奈々枝來到傳聞中有著神秘失蹤事件的舊石尾村拍攝一段調(diào)查都市傳說的視頻。幾天后，警方在村外的一條隧道附近發(fā)現(xiàn)了四人租用的汽車，而在現(xiàn)場發(fā)現(xiàn)的一臺攝像機(jī)則記錄下了令人震驚的畫面。緊鎖的房屋、身著武裝制服的兒童、被關(guān)起來的成年人，以及在新月之夜發(fā)病的成年人......這個村子里究竟發(fā)生了什么？
破壞欲
琳娜·海蒂,理查德·詹金斯,米歇爾·鄧肯,烏爾里奇·湯姆森,梅爾維爾·珀波,阿斯?fàn)枴ぜ~曼在父親的生日宴會上，一面鏡子的突然碎裂讓吉娜（琳娜·海蒂 Lena Headey 飾）和眾人感到了深深的不安。第二天，吉娜來到工作的醫(yī)院，卻被告知就在不久之前自己剛剛離開了醫(yī)院。對于這一異象，吉娜只以為是同事眼花，但之后發(fā)生的事情卻讓她再也無法保持平靜——無論是大街上正在行駛的紅色越野車，還是車中所坐的女子，皆和吉娜完全相同?！ o法控制自己好奇心的吉娜尾隨女子來到了一幢公寓，過后，吉娜遭遇了慘烈的車禍。為了療傷，吉娜開始和男友斯蒂芬（梅爾維爾·珀波 Melvil Poupaud 飾）同居，她將她的所見所聞告知了男友，后者卻認(rèn)為她不過是腦部受到了創(chuàng)傷，吉娜陷入了無盡的恐懼和懷疑之中。