強奸年輕的妻子

評分：0.4 播放：51萬 更新：2026-05-12
主演： 未知/

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公寓2024

斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,Manika

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

銀行搶劫案

杰森·斯坦森,薩弗蓉·布羅斯,斯蒂芬·坎貝爾·莫爾,丹尼爾·梅斯,詹姆斯·福克納,阿爾基·戴維,邁克爾·吉普森,喬治婭·泰勒,理查德·林特恩,彼得·鮑勒斯,埃利斯戴爾·皮特里,哈蒂·莫拉漢,朱利安·劉易斯·瓊斯,安德魯·布魯克,魯珀特·弗雷澤,克里斯托弗·歐文,凱莉·霍威,唐·加拉格爾,克雷格·法布拉斯,杰拉德·霍蘭,羅伯特·懷特洛克,大衛(wèi)·蘇切,彼得·德·杰西,約翰·邁爾斯,科林·薩蒙,莎朗·摩翰,雷·尼古拉斯,杰米·肯納,安格斯·瑞特,馬克·菲尼克斯,朱利安·弗思,魯珀特·范西塔特,布隆森·韋伯,奧馬

　　本片根據真實歷史事件改編?！　?971年，黑人激進組織領導邁克爾X因販毒被控告，但因他一年前取得了英國皇室成員瑪格麗特公主的私密照片并以此要挾官方而被開釋。英國軍情五處工作人員提姆（Richard Lintern 飾）受命取回收藏在倫敦某銀行的這批照片。　　提姆物色到販毒女子瑪婷（Saffron Burrows 飾），要挾她搶劫銀行來為自己取得照片?，旀煤芸焱蕴┤穑↗ason Statham 飾）為首的幾個半職業(yè)罪犯或新人組成了計劃挖地道劫掠保險庫的團伙?！　√┤鸬热巳缭笇⒈ｋU庫洗劫，但贓物卻讓他們坐立不安：涉及皇室成員的私密照片、銀行家行賄官員的賬本、高官們不可告人的齷齪愛好……由于一位無線電愛好者無意間聽到了他們作案時的對話內容，此案掀起軒然大波，泰瑞等人陷入了各種勢力爭奪的中心，他只能借助手上的證據苦苦周旋……

誤色

Matthew Gilliam,Lavinia Postolache,Peter Gantenbein,Tanya Thomas,William Frederick Knight,司馬優(yōu)

　　現在是2003年，國際武器核查員泰德·凱勒（馬修·吉利亞姆）在美國入侵伊始就在伊拉克工作。在調查一個未被發(fā)現的武器藏匿處時，他發(fā)現了一個可疑來源的生物制劑，他很快意識到這種生物制劑已經危及他的生命。撞倒在地，他危險的軌跡與美麗的國會援助伊蓮娜·波佩斯庫（拉維尼婭·波波拉切）相撞，后者發(fā)現自己被自己的危險包圍著。他們聯合起來，被迫質疑一切，同時努力比那些希望他們沉默的人領先一步。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.