特別的吻給特別的你

9.0 播放:05萬(wàn) 更新:2026-04-22

珊卓自小迷戀未知的神秘世界、對(duì)動(dòng)物尸體總是寄予無(wú)以名狀哀憐之情,她眷戀死亡的氛圍、死尸的氣味,她為一切尸體進(jìn)行她所堅(jiān)持的死亡儀式。珊卓長(zhǎng)大之后,在一次送花到殯儀館的機(jī)緣之下,決定應(yīng)征全職的死尸化妝師。她跟館主學(xué)習(xí)腐尸的善后及上妝技巧,她一步一步的試探底線、她發(fā)掘、猶豫、進(jìn)而跨越、著迷。珊卓在工作中探索出生命最深層的真意,并藉此發(fā)現(xiàn)了愛(ài)欲殿堂的信道。 一般來(lái)說(shuō),戀尸癖多為男性,但這部電影中的主角是美麗柔弱的女人,而且她和一般的男性戀尸癖不同,她迷戀的重點(diǎn)不在性器官和性快感上,相反,她戀尸戀得猶如初戀的小女生,小憂郁、小純情、甚至還有一點(diǎn)小浪漫。影片中大量用過(guò)曝的白光來(lái)渲染這種戀尸的精神性和純潔性。   

即刻觀影

劇情賞析

珊卓自小迷戀未知的神秘世界、對(duì)動(dòng)物尸體總是寄予無(wú)以名狀哀憐之情,她眷戀死亡的氛圍、死尸的氣味,她為一切尸體進(jìn)行她所堅(jiān)持的死亡儀式。珊卓長(zhǎng)大之后,在一次送花到殯儀館的機(jī)緣之下,決定應(yīng)征全職的死尸化妝師。她跟館主學(xué)習(xí)腐尸的善后及上妝技巧,她一步一步的試探底線、她發(fā)掘、猶豫、進(jìn)而跨越、著迷。珊卓在工作中探索出生命最深層的真意,并藉此發(fā)現(xiàn)了愛(ài)欲殿堂的信道。 一般來(lái)說(shuō),戀尸癖多為男性,但這部電影中的主角是美麗柔弱的女人,而且她和一般的男性戀尸癖不同,她迷戀的重點(diǎn)不在性器官和性快感上,相反,她戀尸戀得猶如初戀的小女生,小憂郁、小純情、甚至還有一點(diǎn)小浪漫。影片中大量用過(guò)曝的白光來(lái)渲染這種戀尸的精神性和純潔性。   

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金剛不壞2024

喬杉,柳巖,梁龍,孫陽(yáng),楊新鳴,桑平,劉長(zhǎng)純,代樂(lè)樂(lè)

金剛回到了自己曾經(jīng)生活的地方,然而一切早已物是人非。這時(shí),一起拐賣兒童的事件意外發(fā)生,金剛以一個(gè)局外人的身份開(kāi)始尋找被拐的女孩,在這個(gè)過(guò)程中他的過(guò)往也依舊在糾纏著他……                                                                        金剛將不得不面對(duì)自己最不愿意正視的傷痛……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

獵夢(mèng)人

陳孝良,米咪

  故事發(fā)生在2050年,藍(lán)小瑋是一個(gè)研究員,她研發(fā)了“零接觸”的技術(shù)--通過(guò)佩戴特殊的頭盔,將兩個(gè)人的腦電波連接起來(lái)實(shí)現(xiàn)夢(mèng)境的連接。這天,一個(gè)便衣警探余警官找到研究所,要求小瑋使用零接觸的技術(shù)幫他偵破一個(gè)極為棘手的案件。小瑋覺(jué)得這案件跟母親的昏迷案件有關(guān),盡管知道危險(xiǎn),還是不聽(tīng)父親的阻止,接受這個(gè)任務(wù)了。小瑋通過(guò)網(wǎng)絡(luò)連接的方式進(jìn)入昏迷者易田的夢(mèng)境,隨后搗蛋的余警官也偷偷尾隨而來(lái),兩人在這個(gè)奇怪的世界跌跌撞撞,搞笑百出,也危險(xiǎn)重重,兩人配合警探父親,終于找到真兇竟然就是實(shí)驗(yàn)室的研究員,至此故事告一段落。

兇地

平采娜·樂(lè)維瑟派布恩,Golf Pichaya Nitipaisalkul,Ivrin Osathanond,Manatsanun Phanlerdwongsakul,尼克.坤納提帕.平帕拉達(dá)布,Pharanyu Rojanawuthitham,巴東·頌桑,坦瓦林·蘇卡皮西特,Chaiwat Thongsaeng,查理·瑞納

  本劇改編自泰國(guó)四段真實(shí)新聞事件?!就雒褪俊吭?jīng)肇事的公車巴士,在夜晚最后一班車,搭載著往往不是人……【靈魅旅社】入住廉價(jià)旅社務(wù)必三思,晚上陪你入眠的可能不只一人……【酒店冥花】KTV酒店,萬(wàn)年照不到陽(yáng)光之處,店內(nèi)瘴癘之氣盤(pán)據(jù),長(zhǎng)年身在其中工作,早已人鬼難辨……【陰陽(yáng)禪寺】替人祈福的僧者,竟是殺人兇手?壽未終,尸難寢;慘死冤魂,人間流返。

心之高歌

Carola Insolera,Emilio Insolera,Antonio Iorillo,Simonetta Pellizzer,Sarah Toscano,塞雷娜·羅西

作為聾人家庭唯一能聽(tīng)見(jiàn)聲音的成員,含羞的少女發(fā)現(xiàn)自己擁有唱歌天賦,她不得不在履行責(zé)任和尋找自己的道路之間做出抉擇。

鬼媾人

王晶,關(guān)之琳,陳百祥,夏文汐,曹查理,莫少聰

  凌兆祥(王晶 飾)和妻子(夏文汐 飾)開(kāi)開(kāi)心心地搬進(jìn)了新置的豪宅,準(zhǔn)備享受全新的生活。盡管豪宅里怪象頻出,佛學(xué)專家許禪(莫少聰 飾)亦給予了凌兆祥警告,但沉浸在興奮中的凌兆祥并沒(méi)有將這一切放在眼里?! ∑拮討言凶∵M(jìn)了醫(yī)院,再度變回“單身漢”的凌兆祥怎么可能放過(guò)這次難能可貴的機(jī)會(huì)?他伙同損友歐公子(陳百祥 飾)和屈臣氏(曹查理 飾)外出狂歡,并且邂逅了美麗女子冰淇(關(guān)之琳 飾)。凌兆祥同冰淇一夜溫存,事后,對(duì)妻子心懷愧疚的凌兆祥決定斷絕同冰淇的往來(lái),沒(méi)想到,不愿意放過(guò)他的,不僅僅是冰淇,還有冰淇身后那一干早已化作冤魂厲鬼的家人們。