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迷妄國度4
Trupti Agarwal,Gaurav Arora,Ashwath Bhatt秘密是相愛的人之間最大的敵人，就像一顆定時炸彈，伺機(jī)等待毀掉美好的一切。瑞罕聽從沙伊娜的建議，為了更好的工作和生活離開印度再次來到羅馬尼亞，沙伊娜興高采烈的規(guī)劃著二人未來的生活，卻得不到瑞罕的贊同與支持，甚至爆發(fā)了更激烈的爭吵。沙伊娜隱約感覺瑞罕有心事卻不肯說，而更可怕的是沙伊娜漸漸的開始看見一些別人看不到的東西，甚至是莫名其妙的出現(xiàn)在距家?guī)资锿獾碾娫捦s不自知。對于沙伊娜的恐懼，瑞罕卻不以為意。愈演愈烈的詭異行為究竟是沙伊娜的惡作劇，還是存在著可怕的操控者？適時出現(xiàn)的阿迪蒂亞這位前男友能否代替瑞罕拯救沙伊娜？相愛的兩個人又將面對怎樣的結(jié)局... ...
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
超聲
文森特·卡塞瑟,切爾西·洛佩茲,布瑞達(dá)·伍爾,滕德·艾德比佩,蕾妮·庫利,鮑勃·斯蒂芬森,達(dá)娜·林恩·拜倫,Jim Boeven,Chris Dougherty,波特·琳·楊,Tony Evangelista,達(dá)維達(dá)·威廉姆斯,馬克·伯恩漢姆,Cheryl Dent,Gabe FonsecaDriving home late at night during a heavy rainstorm, Glen experiences car trouble. Near where his car gets stuck, he spots a house, knocks on the door and is greeted by an oddly friendly middle-aged man, Arthur, and his younger wife, Cyndi. The strange couple pours him a drink, and then more drinks, followed by an unexpected offer that Glen can’t refuse. Elsewhere, a young woman, Katie, is feeling emotionally weighed down by a secret romantic arrangement that feels like a textbook case of gaslighting. And at the same time, in a nondescript research facility, medical professional Julie begins questioning her role in a bizarre experiment, fearing that she’s doing more harm than good.
血觀音
惠英紅,吳可熙,文淇,柯佳嬿,陳莎莉,丁強(qiáng),劉尚謙,林志儒,王月,溫貞菱,王偉六,陳珮騏,尹昭德,大久保麻梨子,巫書維,顏毓麟,劉越逖,傅子純,陳武康,施名帥,秀蘭瑪雅,應(yīng)朗豐,李銓棠家一脈花開，將軍身故，棠夫人站在家族宗法寶塔上，也就立足彌陀鄉(xiāng)政治的頂端。黑白兩道，茶盞交錯之間，玲瓏心，剔透眼，柔軟身段，霹靂手段，女人天下。大女兒棠寧玲瓏八面，卻懷一股心思幽微，小女兒棠真乖巧聽話，學(xué)著繼承泡茶待客之道，隨棠夫人簾后織手暗操線，青春初豐滿的羽翼，能如何擔(dān)起腥風(fēng)血雨？棠家牽線的土地開發(fā)計劃出現(xiàn)變數(shù)，好友議員一家遭滅門慘案，以血掀變，彌陀鄉(xiāng)勢力重新洗牌，暗潮涌動，臺北二十年，大家深宅三代女人，千手染血的觀音，骨與血，治與亂，情欲與權(quán)力層層密謀穿織。
她的重生
瑪麗安娜·芳塔娜,喬瓦尼·安扎爾多,Demetra Avincola,Dalila De Marco,洛倫索·吉埃利,Eliana Lupo,Cristiana Raggi,Nicola Rignanese影片在舒緩的節(jié)奏下呈現(xiàn)了一位女性重塑自我之路，故事主人公安娜為她十幾歲時犯下的謀殺罪已經(jīng)服刑15年，雖然服刑期滿，但周圍異樣的眼神意味著 對她的審判仍未結(jié)束。安娜離家遠(yuǎn)行來到一個小鎮(zhèn)并找到工作，準(zhǔn)備開啟新生活，但她仍需與封閉、恐懼、偏見不停斗爭，那些舊日時光留下的黑洞，必須由她親自填補(bǔ)。
連環(huán)殺手夫人
杰奎琳·費南德斯,馬諾杰·巴杰帕伊,莫希特·雷納,Zayn Khan一名醫(yī)生因一連串令人震驚的兇惡案而入監(jiān)服刑，他忠心的妻子打算模仿同樣的殺人手法作案，借以證明他的清白。