強(qiáng)奸3：OL誘惑

評分：7.4 播放：59萬 更新：2026-05-11

2001年香港特首角逐，特首熱門候選人李志信（方中信）因工作上壓力，經(jīng)常有幻覺女性赤裸裸出現(xiàn)在面前，巧遇舊戀人心理專家何慧儀（張慧儀飾）替志信治療。不久他卷入強(qiáng)奸下屬性丑聞，被警方拘捕，罪名是強(qiáng)奸女秘書劉文慈（張文慈飾）。其中有催眠術(shù)制造他幻覺局部失憶。經(jīng)過雜差警探（雷宇揚）破案，實際上不是政治陰謀，而是方中信被人陷害。

影片推薦

同類精選

影視排行

圣母瑪利亞

安妮·海瑟薇,米凱拉·科爾,亨特·莎弗,小枝女孩,雅典娜·弗里澤爾,凱雅·基伯,杰西卡·布朗·芬德利,伊紹拉·巴貝-布朗,阿爾芭·巴普蒂斯塔,茜安·克利福德,帕里納斯·埃斯梅爾薩德,勞拉·米金,朱莉婭·斯托爾巴,丹尼·維塔勒

 傳奇流行巨星Mother Mary（安妮·海瑟薇 飾）為了以完美形象回歸舞臺，找上疏遠(yuǎn)多年的好友兼前造型師薩姆（米凱拉·科爾 飾），卻也掀開埋藏已久的傷疤。

海底兩百里

沃爾特·皮金,瓊·芳登,芭芭拉·伊登,彼得·洛,羅伯特·斯特靈

　　美國海軍上校尼爾遜（沃爾特皮金飾）領(lǐng)導(dǎo)潛艇海景號在北極下探測時，地球突生危機(jī)，大氣層被一股大火燃燒，令地球極速升溫，地球上干旱無雨，頓誠人間煉獄。科學(xué)家主張紛歧，尼爾遜決定由海景號發(fā)射核子飛彈，讓其在大氣層外爆炸以期熄滅大火，令地球降溫。為求能夠快速解決這個問題，尼爾遜毅然由船員自愿選擇是留在船上還是繼續(xù)前進(jìn)，但是在全世界都沒有辦法的情況下，只有聽命于尼爾遜的這個計劃了……

世界大戰(zhàn)：輻射

威廉·鮑德溫,邁克爾·帕爾,凱特·霍吉,哈文·巴拉卡,Jessy Holtermann,布萊恩·萊蒙斯,Ryan Jones

　　The Destroyers of Alien Invasion Attacks Survival the Tripod the Killers.

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster