想要在里面的女大學生打工妹

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　弗蘭克被關在密室里，只有一臺人工智能計算機負責維持生命，但無論怎樣密室逃脫，只是回到另一個嵌套，隨著時間發(fā)展，出現(xiàn)了新的情況。

一個選擇，兩種人生軌跡。她的故事，還是他的真相？

 設定在1999年，以偽紀錄片形式，聚焦那些看似普通、歡樂的家庭錄像帶中發(fā)現(xiàn)的可怕事件和“鬼影”。