寢亂義母
女主(麻田真夕飾)再婚后和丈夫才生活幾個月就沒有圓房了。而且年輕的兒子高中生太郎和后媽的關(guān)系一直很緊張。高中生太郎不僅長的英俊瀟灑,風(fēng)流倜儻,而且骨子里透出一種高傲與征服的氣質(zhì)。因此在學(xué)校里他成眾多女孩爭寵獻(xiàn)身的對象。太郎的父親是家大公司的總裁,平時很少回家,家中只有太郎和他的后媽。天長日久生性風(fēng)流的后媽終于耐不住寂寞,被太郎英俊的外表所吸引,于是后媽向太郎展開了咄咄逼人的攻勢--但是一直沒有好的接近方式艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan
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祖魯
奧蘭多·布魯姆,福里斯特·惠特克納粹僵尸
Matthew Baunsgard,達(dá)米安·羅扎內(nèi)克,Ellis J. Wells,Richard Kovacs,Zach Devereux害蟲
宮崎葵,蒼井優(yōu),田邊誠一,涼,伊勢谷友介假如比爾街可以作證
琪琪·萊恩,史蒂芬·詹姆士,雷吉娜·金,科爾曼·多明戈,泰柔娜·派麗絲,邁克爾·比奇,安潔紐·艾莉絲-泰勒,埃博妮·奧西迪安,多米妮克·索恩,迭戈·盧納,芬·維特洛克,艾德·斯克林,艾米莉·里奧斯,佩德羅·帕斯卡,布萊恩·泰里·亨利,瑪西婭·讓·庫爾茨,戴夫·弗蘭科,馬科·查卡,費(fèi)斯·洛根,桃樂絲·麥卡錫林肯大戰(zhàn)僵尸
小比爾·奧伯斯特,克里斯·赫洛澤,Jason Vail不露聲色
羅素·克勞,埃爾莎·帕塔奇,利亞姆·海姆斯沃斯,杰奎琳·麥根斯,羅伯特·菲茨杰拉德·迪格斯,馬特·納夫萊,K·卡蘭,林恩·吉爾馬丁,丹尼爾·麥克弗森,斯蒂夫·巴什托尼,本尼迪克·哈迪,Dan Matteucci,莫莉·格雷斯,Paul Tassone,Jemima Quinn,扎克·格里奇同類推薦
豬豬俠·一只老豬的逆襲
陸雙,山新,唐嶷,陳思宇,徐經(jīng)緯,任景行, 周健過氣頂流也有逆襲夢!曾經(jīng)的男神豬豬爆竟淪落到以送外賣為生?!一次偶然之下,他獲得了擔(dān)任電影男主的機(jī)會,但這個劇組并不“簡單”,為豬豬爆的男主之路埋下重重關(guān)卡。面對N重考驗(yàn),他能否逆襲成功?
回廊亭殺人事件
常盤貴子,內(nèi)藤剛志,田中圭,田中哲司,趙珉和,德永繪里,入來茉里,井口恭子,増?zhí)镄抟焕?國生小百合,豐田真帆,松尾諭顯赫富商一原高顯(北村總一朗 飾)病故,他的親屬們齊齊來到高級日式客?!盎乩韧ぁ迸e行斷七法事,當(dāng)然最令他們關(guān)心的還是遺產(chǎn)分配事宜。每個人都心懷鬼胎,渴望獲得最大利益,也格外防備著其他人的算計,所謂親情變得不值一提。就在這一關(guān)鍵時刻,一名神秘而美艷的女子突然出現(xiàn)在一原家面前,她自稱本間美代子(常盤貴子 飾),是與死者生前頗有淵源的老婆婆的女兒。夜深人靜,做夢發(fā)財?shù)呢澙分藳]有等到他們的遺產(chǎn),反而等來死神的光臨。破滅的愛情,破敗的人生,曾經(jīng)種下的惡緣種子,在回廊亭開始發(fā)芽。 本片根據(jù)東野圭吾的原作小說改編。
嗜血族
Daut Shaikislamov,Syrym Kashkabayev,Kilishbek Kasimbekov,Asan Mazhit自古以來,民間就流傳著關(guān)於黑暗精靈澤斯蒂爾納克的傳說。這些神話生物擁有修長的利爪和非人的力量,以人類血液為食。如今,已無人相信他們的存在,但他們?nèi)耘f生活在我們之中。米拉斯是來自阿拉木圖的一個普通年輕人,卻被美麗又成功的女孩艾娜愛上。米拉斯的父母樂見兒子攀上這門好親事,並樂意與艾娜富有的家庭結(jié)為親家。然而,他們卻不知道,新親家那棟豪華宅邸的門後,隱藏著什麼樣的驚人祕密。
鏢人:風(fēng)起大漠
吳京,謝霆鋒,于適,陳麗君,孫藝洲,此沙,李云霄,梁家輝,張晉,惠英紅,張譯,李連杰,劉耀文,熊瑾怡,莒謙朗,白那日蘇,梁壁熒,文俊輝,董思成,林秋楠,景瓷,張藝瀧,李嘉輝,寇占文,代樂樂,釋彥能,徐向東,淳于珊珊,孟鶴堂,于榮光,陳少熙,趙箭,袁和平大漠之上,鏢人、官府、西域五大家族等多方勢力盤根錯節(jié)、暗潮涌動?!疤熳值诙柼臃浮钡恶R接下特殊押鏢任務(wù),和同伴一起從西域護(hù)鏢遠(yuǎn)赴長安。不料,他們的護(hù)送對象竟是“天字第一號逃犯”知世郎……天下熙熙皆為利來,各方勢力聞風(fēng)入局,搶鏢廝殺接連上演……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.