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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
懸案密碼4
尼古拉·雷·卡斯,法瑞斯·法瑞斯,約翰·路易斯·施密特,索倫·比爾馬克,范妮·博內(nèi)代爾,克拉拉·羅薩杰,路易斯·斯科夫,阿曼達(dá)·拉德里亞克,安德斯·霍夫,尼可拉斯·布若,埃利奧特·克羅賽特·霍夫,碧爾特·諾伊曼,邁克爾·布羅斯楚普,瑪麗安·霍格斯布羅,薇比珂·哈斯特倫,特賴(lài)恩·帕里森,納斯塔加·阿爾賽,亨里克·韋斯特加德·尼爾森,拉多·哈季奇,安德斯·布林克·馬德森,旺達(dá)·佩德?tīng)柧S茨丹麥懸疑犯罪片,該片刷新丹麥國(guó)產(chǎn)片票房紀(jì)錄,是系列電影《懸案密碼》的第四部,也是最終章,《懸案密碼》系列改編自丹麥小說(shuō)家尤西·阿德勒-奧爾森(JussiAdler-Olsen)的同名小說(shuō),
這個(gè)阿爸真爆炸
梁家輝,蔡卓妍,關(guān)智斌任慕英(梁家輝 飾)是一個(gè)單親爸爸,以教授鋼琴來(lái)?yè)狃B(yǎng)女兒Ellen(蔡卓妍 飾)長(zhǎng)大。可是女兒升上Band 5后就變得越來(lái)越不聽(tīng)話(huà),令任慕英十分擔(dān)心。Ellen一直覺(jué)得爸爸十分“娘娘腔”,覺(jué)得自己就算有什么麻煩,爸爸也是不可靠的人。Ellen的同學(xué)都誤會(huì)了她的爸爸是個(gè)江湖高手——慕夜飛鷹,相繼要求拜為師傅,此時(shí)Ellen才對(duì)爸爸改觀(guān)。但任慕英被誤以為是絕招的身手,不過(guò)是在照顧女兒的時(shí)候練出來(lái)的?! ∨畠洪_(kāi)始覺(jué)得爸爸老了,可她還是到處惹禍,更被慕夜飛鷹的仇家脅持,任慕英為了救回女兒,獨(dú)自女兒被困的地方……
別走
斯蒂芬·多爾夫,梅利莎·喬治,西蒙·德蘭尼,加文·歐康諾,萊勒·羅迪,肖恩·馬洪,Aoibhinn McGinnity,Grace Farrel,Des Cave,Luke Griffin,夏洛特·布拉德利,Laurence O'Fuarain,Sahar Ali,Ella Connolly,Grainne Coyne梅利莎·喬治、斯蒂芬·多爾夫主演的[別走](Don't Go,暫譯)柏林電影節(jié)曝光首款劇照。該片故事講述本(斯蒂芬·多爾夫飾)的女兒在事故中去世,而他相信自己可以在夢(mèng)里將女兒帶回來(lái)。本從此陷入現(xiàn)實(shí)和虛幻交錯(cuò)的空間。該片愛(ài)爾蘭將于9月4日上映。
最佳女婿
張學(xué)友,周星馳,莫少聰,張敏,吳耀漢,沈殿霞,梁榮忠,胡楓,廖啟智,鄭欣宜美發(fā)師紀(jì)阿開(kāi)(張學(xué)友)、服裝設(shè)計(jì)師大眼龍(莫少聰)和風(fēng)水師賴(lài)布?。ㄖ苄邱Y)三個(gè)死黨合伙開(kāi)了一家新潮美發(fā)店,不料開(kāi)業(yè)當(dāng)天就與隔壁理發(fā)店老板發(fā)生爭(zhēng)執(zhí),幸得店老板女兒亞英(張敏)及時(shí)出手風(fēng)波平息,過(guò)程中,三人皆被亞英魅力吸引,為贏其芳心,開(kāi)始頻頻登其家門(mén)獻(xiàn)殷勤?! ∧炒瓮聿途蹠?huì)后,三人爛醉與亞英誤睡一室,導(dǎo)致亞英懷孕,為與亞英一起生活,三人爭(zhēng)先恐后將準(zhǔn)父親一職往自己身上攬,又因三人血型相同,醫(yī)院也無(wú)法驗(yàn)出誰(shuí)在冒名,亞英父母決定先考察三人表現(xiàn),為爭(zhēng)當(dāng)最佳女婿,三人使盡渾身解數(shù)展開(kāi)激烈角逐。
老板和小可愛(ài)
薩爾瓦托雷·埃斯波西托,Fabiana Martucci,Antonio Milo,希羅·埃斯珀斯托,薩爾瓦多·斯特里亞諾,Riccardo Cicogna,Gianantonio Mellone Martinone,阿涅洛·阿雷納