即刻觀影
劇情賞析
編輯推薦
陰陽師0
山崎賢人,染谷將太,奈緒,安藤政信,村上虹郎,板垣李光人,國村隼,北村一輝,小林薰講述安倍晴明學(xué)生時(shí)代的故事。在陰陽寮，被譽(yù)為天才的安倍晴明與其他學(xué)生截然不同，他是個(gè)有些討人厭且對成為陰陽師毫無興趣的怪人?！ ∮幸惶欤缑魇艿劫F族源博雅的委托，解決襲擊皇族徽子女王的怪異現(xiàn)象。盡管兩人經(jīng)常發(fā)生沖突，但他們還是一起追尋真相。而一名學(xué)生的離奇死亡成為事件火索火索，引發(fā)了卷入平安京的邪惡陰謀和詛咒的動(dòng)亂。
月影殺痕
波伊德·霍布魯克,克利歐佩特拉·科爾曼,博基姆·伍德拜因,邁克爾·C·豪爾,魯?shù)稀み_(dá)馬林加姆,Al Maini,Quincy Kirkwood,莎拉·杜格代爾,瑞秋·凱勒,Ryan Allen,托尼·納波,Philippa Domville,托尼·克雷格,加布里埃爾·格雷厄姆,Julia Knope,默里·弗羅,大衛(wèi)·麥金尼斯,德爾菲娜·魯塞爾,胡安·卡洛斯·韋利斯,泰德·麥克馬洪,愛德華·倫德爾,妮卡·埃利奧特1988 年，心懷偵探夢想的費(fèi)城警官托馬斯·洛克哈特（波伊德·霍布魯克飾演）開始追蹤一名連環(huán)殺手，此人每隔 9 年就神秘地出現(xiàn)一次。但是當(dāng)殺手的罪行開始違背所有的科學(xué)解釋時(shí)，洛克對真相的癡迷可能會(huì)毀掉他的事業(yè)、家庭，甚至是他的心智?！对掠皻⒑邸肥且徊炕旌项}材的心理驚悚片，探討了時(shí)間的力量，以及時(shí)間的流逝如何使我們相聚又分開。該片由吉姆·米可執(zhí)導(dǎo)，其他主演包括邁克爾·C·豪爾和克利歐佩特拉·科爾曼。
精靈寶可夢：冥王龍與冰空的花束雪米
松本梨香,大谷育江,豐口惠美,小櫻悅子,うえだゆうじ,林原惠美,三木真一郎,犬山犬子,小西克幸,山寺宏一,中川翔子,南明奈,中村獅童“反轉(zhuǎn)世界”是存在于這個(gè)世界內(nèi)部的鏡子般不可思議的世界。那個(gè)美麗而規(guī)則的世界，是騎拉帝納棲居的特殊空間。然而帝牙盧卡和帕路奇犽的戰(zhàn)斗造成了時(shí)空的扭曲，“反轉(zhuǎn)世界”也因此完全被陰霾籠罩。由于自己的世界被污染而被激怒的騎拉帝納找到了帝牙盧卡，并想將其拖入反轉(zhuǎn)世界中。 “現(xiàn)實(shí)世界”，在繼續(xù)旅行的小智和皮卡丘一行的面前出現(xiàn)了一個(gè)小小的，幾乎看不見的精靈。那是有“花媚”之稱的感謝神奇寶貝潔咪。被卷入帝牙盧卡和騎拉帝納的戰(zhàn)斗的潔咪在千鈞一發(fā)之際從反轉(zhuǎn)世界逃出。小智一行帶著精疲力竭的潔咪前往神奇寶貝中心。 潔咪用心電感應(yīng)將小智一行帶到了它的“葛拉西蒂亞花(グラシデア)花田”，并告訴他們在這“葛拉西蒂亞花”中隱藏著巨大的秘密。正準(zhǔn)備離開神奇寶貝中心的小智等人遇到了前來捕捉潔咪的火箭隊(duì)。而與此同時(shí)，神奇寶貝中心外的裝飾品的鏡面上出現(xiàn)了“次元旋渦”，將火箭隊(duì)、潔咪連同小智一行人一起全部帶往了反轉(zhuǎn)世界。 從次元旋渦中脫出的小智一行人環(huán)顧四周，這里是倒立著一排排建筑物，空中處處漂浮著烏云的，廣大而不可思議的反轉(zhuǎn)世界。 就在這時(shí)，騎拉帝納突然出現(xiàn)，向潔咪發(fā)動(dòng)攻擊。小智等人正要與騎拉帝納對抗，卻傳來制止之聲。說話者是名叫穆玄·葛雷斯藍(lán)多的學(xué)者，他告訴小智等人不可以讓騎拉帝納生氣。 正在小智一行在穆玄·葛雷斯藍(lán)多的幫助下向現(xiàn)實(shí)世界回返之時(shí)，企圖利用騎拉帝納的力量支配世界的，駕駛著高科技母艦“百萬力霸”的謎之青年，杰洛出現(xiàn)了。和潔咪一起繼續(xù)著探索花園之旅的小智一行沒能逃過杰洛的追蹤。 前所未有的冒險(xiǎn)之旅的高潮，等待著你的是超越想像的“美麗奇跡”!
安妮·霍爾
伍迪·艾倫,黛安·基頓,托尼·羅伯茨,卡羅爾·凱恩,保羅·西蒙,謝莉·杜瓦爾,珍妮特·瑪戈林,科琳·杜赫斯特,克里斯托弗·沃肯,唐納德·賽明頓,瓊紐曼,馬丁羅森布拉特,亨澤爾,拉舍爾·諾維科芙,拉塞爾·霍頓,馬歇爾·麥克盧漢,瑪麗·博伊蘭,約翰·多馬尼安,波波·馬羅夫,Rick Petrucelli,克里斯·甘佩爾,迪克·卡維特,馬克·雷納德,約翰·格洛弗,約翰·丹尼斯·約翰斯頓,勞麗·伯德,杰夫·高布倫,查爾斯·萊文,Johnny Haymer,邁克爾·阿羅寧,Ved Bandhu,Jim McKrel喜劇演員艾維·辛格（伍迪·艾倫 Woody Allen 飾）是這樣一個(gè)人：非常介意自己的猶太人的出身；自認(rèn)為有童年陰影，看了十六年心理醫(yī)生沒見好轉(zhuǎn)卻一直付錢看；有點(diǎn)阿Q精神，但對人生卻充滿消極；喜歡一直講無聊的笑話。正因?yàn)樽陨淼纳窠?jīng)質(zhì)特質(zhì)，艾維經(jīng)歷了兩次失敗的婚姻。艾維 遇到了安妮（黛安·基頓 Diane Keaton 飾）――一直夢想成為歌星的女孩，兩人漸漸墮入愛河。安妮在艾維的幫助下歌唱技巧迅速提高，但她的父母卻反對她與艾維來往。安妮得到了唱片商托尼的注意，獲邀前往好萊塢灌錄唱片，艾維跟著前往了好萊塢向安妮求婚。
預(yù)見者
Michael Piccirilli, Pamelyn Chee, Anthony Bishop一項(xiàng)革命性的人類基因研究計(jì)劃，為預(yù)防疾病與犯罪帶來了莫大幫助，身為研究員的一份子，希歐多不但致力于生命的發(fā)展與延續(xù)，還有個(gè)能預(yù)知他人死亡的特殊能力。不過這次他的能力卻陰錯(cuò)陽差害死了自己的女友安娜，內(nèi)疚不已的希歐多以悲傷度日，直到一個(gè)月過去，安娜竟又活生生地出現(xiàn)在他面前？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.