　　青春少女瑪麗（Cécile De France 飾）和愛莉西婭（Ma?wenn Le Besco 飾）是同在法國(guó)巴黎一所大學(xué)就讀的好朋友。某個(gè)周末，兩人驅(qū)車前往愛莉西婭家位于鄉(xiāng)下的農(nóng)場(chǎng)度假。適值深夜，萬(wàn)籟俱寂，瑪麗寂寞難耐正在自我宣泄之時(shí)，一個(gè)不速之客突然闖入。他殘忍殺害了愛莉西婭的父母和年幼的弟弟，并將其擄去。為了營(yíng)救好友，瑪麗悄悄鉆進(jìn)兇手的卡車。途經(jīng)一個(gè)加油站，她換上同樣慘遭殺害的店員的車?yán)^續(xù)跟蹤，卻被狡猾的兇手發(fā)現(xiàn)行跡。一場(chǎng)近乎迷幻的貓鼠殺戮游戲旋即進(jìn)入高潮……　　本片榮獲2003年Sitges – Catalonian國(guó)際電影節(jié)最佳女主角（Cécile De France）、最佳導(dǎo)演、最佳化裝和歐洲奇幻電影大獎(jiǎng)銀獎(jiǎng)。

公寓2024

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　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

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