三貴情史
云端之上，有一座天國賭場(chǎng)，天神們以人間悲歡打賭消遣。其中一個(gè)賭約，關(guān)于“真愛是否存在”，天神們挑選了一個(gè)人間男嬰王三貴（胡先煦 飾），施予了他一個(gè)古怪的詛咒：凡他親吻之物，即刻陷入熟睡，除非，親吻真愛。三貴的詛咒被發(fā)現(xiàn)后，被鎮(zhèn)上居民們視為異類，無依無靠的他踏上孤獨(dú)的旅程，來到白石城，依次遇到了三個(gè)改變他命運(yùn)的女孩魚魚（周也 飾）、霞姐（姚晨 飾）、婷婷（周依然 飾），也意外發(fā)現(xiàn)了美好平靜的白石城，還藏著一處不為人知的黑暗腹地…
劇情簡(jiǎn)介
云端之上，有一座天國賭場(chǎng)，天神們以人間悲歡打賭消遣。其中一個(gè)賭約，關(guān)于“真愛是否存在”，天神們挑選了一個(gè)人間男嬰王三貴（胡先煦 飾），施予了他一個(gè)古怪的詛咒：凡他親吻之物，即刻陷入熟睡，除非，親吻真愛。三貴的詛咒被發(fā)現(xiàn)后，被鎮(zhèn)上居民們視為異類，無依無靠的他踏上孤獨(dú)的旅程，來到白石城，依次遇到了三個(gè)改變他命運(yùn)的女孩魚魚（周也 飾）、霞姐（姚晨 飾）、婷婷（周依然 飾），也意外發(fā)現(xiàn)了美好平靜的白石城，還藏著一處不為人知的黑暗腹地…
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
閣樓上的女孩
珍·路易莎·凱利,索菲亞·卡里埃,基南·特雷西一名年輕女子在回家途中遭綁架，并被鎖在綁匪家的閣樓里。一年后，在綁匪坐輪椅的母親的幫助下，她制定了逃跑計(jì)劃。
飲食男女1994
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樸浩山,宋再臨,高恩敏一位外向、人緣好的酒吧老板，雖然平日喜歡與人群為伍，內(nèi)心深處卻一直隱藏著對(duì)十年前逝去戀人的細(xì)膩思念。每當(dāng)他遇見容貌神似她的女子，總是不自覺地駐足凝望，深陷于回憶的漩渦中。
春苗
李秀明,高寶成,達(dá)式常,林彬,白穆,于飛,李保羅,趙抒音,于元奇故事發(fā)生在文革前夕的1965年。婦女隊(duì)長(zhǎng)春苗（李秀明 飾）看不慣醫(yī)療衛(wèi)生大權(quán)把持在有資產(chǎn)階級(jí)思想意識(shí)的人手中，她主動(dòng)請(qǐng)纓到公社衛(wèi)生院學(xué)習(xí)，以期學(xué)成回村為貧下中農(nóng)服務(wù)。她不顧院長(zhǎng)杜文杰（白穆 飾）和醫(yī)生錢濟(jì)仁（馮奇 飾）的刁難排擠，在方明（達(dá)式常 飾）的幫助下，她刻苦鉆研專業(yè)知識(shí)，但杜與錢的所做所為還是讓她憤然離開了醫(yī)院。春苗回村后，在黨支部的支持下，她在村里的衛(wèi)生室做了一名赤腳醫(yī)生。1966年，文革開始后，杜文杰出于不可告人的目的，在公社辦起赤腳醫(yī)生培訓(xùn)班，春苗和其它村的赤腳醫(yī)生揭穿了杜文杰的陰謀，杜腦羞成怒，暗中下毒謀害水昌伯（高寶成 飾），并嫁禍春苗，春苗識(shí)破了杜的詭計(jì)......
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